Get dressed up! And schedule ample time for the shoot. We usually make it the only thing on our schedule for the morning or afternoon, and don’t have anywhere else to rush off to. Often it takes a lot longer than you expect for everyone to get ready, to go and find the perfect spot (we try to figure out where we’ll shoot before the actual day, especially if we have to drive there), take all the shots, and then pack up. And by the end everyone will be a bit tired! So make your shoot a priority for the day, and you’re much more likely to get it done, and enjoy the process.
Kimberly Fain Photography is located in old town Burleson. This photography studio specializes in newborn, maternity, and the first year of life sessions. Owner and photographer Kimberly Fain provides many options to display the beautiful images, including prints, mounted prints, gallery wrapped canvases, metals, acrylics, and beautiful heirloom albums. Clients may purchase digital packages, print packages, or à la carte prints as well. Kimberly's clients have left rave reviews for her abilty to create stunning galleries with a welcoming personality, and she is also a member of the Professional Photographers of America.
Thanks for bringing to my attention the importance of leaving plenty of time to get ready before a family photo shoot. It’s been many years since our last family picture, so I want to have another one taken soon. I imagine that trying to get ready last minute would only lead to stress and unhappy parents and kids, so I’ll make sure to give us lots of time beforehand.
Instant viewing of your photo session is made available with a custom online slide show posted to the Bella Baby website (protected with a unique password), thus enabling distant friends and family members the opportunity to share the experience. Online viewing and ordering is offered for two weeks to anyone you choose to share your password; immediate in-hospital purchasing is also available.
DON'T try to do it alone. Need help aiming that off-camera flash? Enlist the help of friends or relatives. "It's nice to have someone help organize your equipment," says Scott. This is especially true if you're working in an environment where someone might walk off with an unwatched camera bag. While you're shooting group portraits, an assistant can gather (and tidy up) the next group.
Send out an email a day or two before their appointment with the time, date, and place of the session. Provide a checklist reminding them to make sure the kids are fed and they pack any essentials with them. Depending on the season, your checklist will change (e.g., knit hat reminders in winter and sunscreen and water in the summer). A family shoot will never go perfectly, but by making sure the family is prepared, you can maximize the likelihood that things will go as smoothly as possible.
The bulk of the photographer's work takes place in post-production, editing and fine-tuning the photos. Special touches like smoothing out splotchy skin, adding extra sparkle to the rings, or editing out shadows all take time and skill, and are what make your wedding photos really glow. This hard work on the back end is why the cost of wedding photography is based on much more than the 8-10 hours your photographer spends taking photos on the wedding day.
Frank Simonetti was recommended to my husband and I through our wedding ceremony and reception venue (Casa Ybel Resort). He offers the rare combination of exceptional and reasonably priced photography. Mr. Simonetti was very good about listening to our ideas and offering some of his own, which resulted in beautiful pictures! He is also very good at making the bride feel at ease (even a type A one like me that wanted everything planned out to the minute) and awkward family situations (including divorced parents, estranged family members, etc.). We highly recommend Mr. Simonetti to anyone planning a wedding in the Ft. Myers area!
Last summer, at my extended family reunion on the beach, I knew I was going to have to figure something out. My solution was to find a kind soul nearby on the beach and ask for a big favor. I set up the entire family, got the tripod/camera in place, then nervously looked around. There was a nice lady who was in her chair reading a book. I went up to her and asked if she’d mind snapping a few for us. The reason I didn’t do the running thing this time is because there were so many of us, I needed her to just snap 30 in a row to make sure we were all looking. I said that, too. Just take a bunch in one minute, then you’re done!
Most of the time when I meet with potential clients, they say the same thing. They don’t want their parents’ wedding photos. They want natural, unposed documentation of their wedding from someone who isn’t going to interrupt the natural flow of the day. The good news is, many (and I’d argue most) wedding photographers have already moved towards this kind of wedding photography. With the exception of a few photographers who have built a reputation on the fact that they will pose and move you during the events of the day to create perfect images (and please do ask photographers about this. There is nothing worse than being poked and prodded and posed all day if what you really wanted was someone to hang back and blend in with the scenery), a good majority of photographers are going to capture your wedding as it happens. But if most wedding photographers are approaching their work from a similar logistical standpoint, well, the end results couldn’t be more different. So how do you know what makes a good photo? What should you be looking for when you look at a photographer’s portfolio?
You may have already done a shoot with the couple just after the Ceremony and safely have some awesome shots. However, there is something special about the light just as the sun is setting and you should definitely exploit it. Learning to use the light at sunset will once again come with experience. Do you want to shoot with the sun on the couple? Or do you want to shoot backlit? Both methods can yield stunning mantelpiece worthy photos.
When styling a photo session, I like to start out with a basic color palette and go from there. It can help to have one “rock star” in the photos who carries a pattern in their outfit that the rest of the group’s clothing or accessories pulls from, while keeping everyone else’s outfits more simple. You can do this with a neutral and a few colorful brights, or try a softer palette that has different tonal ranges of the same shades.