“I believe in people’s individuality and connection. Everyone loves differently and everyone’s story deserves to be told. I try to tell the story I’m presented, not faking things, but instead seeing the beauty in everyone and shooting my story that way.” he later goes on to say “I started shooting weddings because I thought wedding photography was awful, I wanted to see if I could do it differently. And that was always my compass. When the word of “my style” spread it more and more became the norm, but the world is a big place and cultures are different. I always adapt, but I stay true to what I believe in.”
The temptation with digital is to check images as you go and to delete those that don’t work immediately. The problem with this is that you might just be getting rid of some of the more interesting and useable images. Keep in mind that images can be cropped or manipulated later to give you some more arty/abstract looking shots that can add real interest to the end album.
She advises against using a Speedlight mounted on the camera. While this may be her preference, and often for good reason, it really depends on your location's light. I tend to shoot in open shade under a large tree where it can get pretty dark. Shadows under the eyes, nose and chin can be eliminated with a slight flash fill. In post processing, I'll using Lightroom's dodge tool to add more light to faces, if necessary. Even a half-stop boost will make your subjects stand out.
The worst thing a parent can do to their child at their portrait session is to grit through their teeth “You better smile or else…” Really, they will listen to me MUCH better than they will listen to you (don’t take that personally). Plan on letting me take over and teasing them into smiling. Trust me–I have been there with my kids gritting my teeth and it DOESN’T work! And please don’t be embarrassed with less than 100% cooperation, I’m sorta used to it…I do this a lot and I don’t think anything about your parenting methods–most kids don’t want to be told what to do. I try to make it fun for them.
When you set the wedding date: Have a photo taken for your wedding website or save-the-date—many couples incorporate photos of themselves into the design. If this appeals to you and you're planning to send guests an early heads-up, have photos taken 8 to 10 months before the wedding, in time to print and send save-the-dates no later than six months before the wedding.
Nope. Makeup artists and hair stylists are infamously bad about keeping schedules (but we love them anyways and they do awesome work!) It is not really their fault since most of the time they can’t schedule a consultation and meet up with every single person whose hair and makeup they are doing before they give you a time estimate, so they really can’t be certain of what all they are going to have to do on the day of your wedding (we have even seen makeup artists unexpectedly have to cover up groomsmens’ black eyes from sports accidents on the morning of the wedding!). They will also be a little slower on your actual day than they were at your hair/makeup trial because they are working their hardest to make you look the best you can and they really want to get it just right, which is awesome! Regardless of whether it is their fault or not, they can’t send people out without them being done and if the hair and makeup professionals are running late, it is usually photo time that gets cut to make up for it. Instead of relying solely on their estimates, give yourself a little bit of a buffer (approximately 5-10 minutes more per person being done than what your professionals are asking for), just to be safe.
2. Backdrop board. I have a couple DIY backdrop boards that I made for about $10 each (full instructions in this post). I stand one up against the backs of two of my kitchen chairs. The backdrop boards can be used alone for a solid colored background, or can be used to drape blankets from for more background options. The background should be angled so it faces the right or left side of the window, not the middle of it, as you can see in the photo above. This will allow the baby’s head to be a little closer to the window than her feet, allowing the light to hit her forehead first, causing gentle shadows just under her nose and chin. If you don’t have a backdrop board, stand two kitchen chairs backwards here anyway so you can drape a blanket from them. If you use a backdrop board it must be secured with clamps to the chairs it stands in front of to assure it will not fall over.
Amber Balous Photography is a portrait studio in Dallas, known for taking exquisite photographs of newborns and expectant mothers. They offer photo sessions including a pre-session consultation, a portrait session, an ordering and reveal session, and professional photo editing and retouching. Customers praise head photographer Amber for her warmth, patience, and genuine care for her subjects.
I attended the University of North Texas and received a Bachelor’s degree in Radio/Television and Film. In 2011, I received a Master’s in Ed. Technology. My first thought was I would teach technology/videography at a High School level, but I fell in LOVE with photography after my 1st daughter was born. She came into the world with the most beautiful red hair and striking blue eyes, needless to say, her Dad, her grandparents and myself were shocked! I picked up a cheap Kodak camera and never stopped taking pictures. Over the years I have self taught through online workshops, upgraded to a professional Canon Mark iii, purchased several fancy lens and just have gotten better by good ol’ fashion practicing. I have 3 children ages 12, 10 and 8 who always give me a good reason to shoot what I see! 🙂 I love what I do, which I think truly shows in my work. Photography and children inspire me. I am so grateful to be a given a gift to see the world the way I do.
Also look for consistency in their work. This is a way to differentiate an amateur from a professional. An amateur photographer’s portfolio may show nice images, but those images are a compilation of one or two accidentally good images from many sessions. The professional will show quality images consistently in both their portfolio AND recent work on their blog. If you hire an amateur to shoot your session, you accept the risk that there may only be one or two good images from your session vs. the 20-30 great images that a professional will provide in your gallery. When you hire with quality in mind, you buy the assurance and the peace of mind that your special moment is captured perfectly before it is lost in time.
In terms of wedding photos, you probably plan to hire a photographer or videographer—but what about all those amazing snaps your guests are going to take? Creating a wedding hashtag can help you locate some pics on social media, but it can't capture all the photos your great aunt Edna and Internet-shy cousins took too. And you want to see every. Single. Picture. Right? Here are some programs and technologies out there that can help you gather all the photographic goods.
Cant wait for your next part of this article. I once read an article on the internet about the focal length of the lens and the type of portraits you get with it. Short focal lengths bring out the nose too much and make the face look too long. the longer focal lengths make the face look too round and make the person look shorter then he/she is. the ideal focal length for portraits according to that article is between 70-140mm.
If you are doing the session in the client’s home, posed newborn sessions require nearly the same amount of prep as a wedding. You need quite a bit of “stuff” and it is easy to forget something so I make sure to pack the night before and use a checklist so I don’t forget anything (I’m a mom with a very limited memory). To make your life a bit easier, I’ve made a print ready checklist you can use which is included in the newborn photography toolkit – one of the FREE limited time bonuses included in our online Newborn Photography Workshop.
“My kids never sit still and they certainly don’t listen to me when I ask them to look at the camera. Somehow Kate was able to earn their trust right away and capture amazing photos. All I can remember is how happy the kids were and how much giggling was going on while they were in front of the camera. Kate had a warm personality and was the type of person that I would want to invite into my home and life.”
Thank you so much for this article! This past weekend I did my 3rd newborn session which happened to be my grandson. It took 4 hours and I had such difficulty getting him into the poses that I had planned in my head, that when the session was over with I felt totally defeated. I experienced everything you mentioned, including overwhelming myself with too many props. I started doubting myself and wondering if I was even cut out to be a newborn photographer. Your article was very helpful and encouraging at the same time. Thank you so much!
Our portable newborn photography backdrop stand is a must have accessory for any photographer taking baby pictures. It fits any size/type posing bean bag and it's tubular design allows you to clip your backdrop or blanket directly to the top and sides to get the perfect wrinkle free stretch (includes two full size metal clamps as shown in the photos). This lightweight stand easily assembles in minutes and is ideal for photographers who not only shoot in their studio but who also travel and would like to shoot on location. Comes complete with an easy to follow instruction diagram for fast assembly.
As you start looking through photographers’ portfolios, pay attention to the lighting quality in the pictures. Are they dark and moody? Bright and romantic? Each photographer has a certain style, and there will most likely be one that you mesh with better than others. You may also notice while you’re looking through portfolios that some photographers refer to themselves “natural light photographers” which just means that they only use whatever light is available, rather than using a flash or other lighting setups. If you are getting married somewhere dark without a lot of windows, you will want to make sure that the photographer knows how to create light when it isn’t there. Every lighting situation is different for photographers, so make sure you’re looking at photos that have similar characteristics to your venue. An outdoor wedding in the middle of the day with bright sun requires a very different skill than a New Year’s Eve reception in a dark church. (Also, a hot tip: ask to see some reception shots, since many of us don’t include those in our portfolios. Because if you are having an art gallery reception with no light, you want to make sure we can handle it. If all the reception photos are a little blurry and have been converted to black and white, then low-light situations are probably not that photographer’s forte. If you see lots of backlighting and what appears to be bursts of light behind the dancing, it means that that photographer has the ability to create standalone lighting in situations where the light is nonexistent.)
1. Lots of photos! First of all, you probably want to be able to see lots of photos from a variety of sessions. It should be safe to assume you’ll be happy with their photos if you can look at their blog and find 5 family photo sessions that you love. If they just have a gallery on their website with 15 or 20 family photos, those are probably the very best family photos they’ve ever taken. Maybe all of their photos are that good, but maybe they aren’t actually producing that quality of work consistently. If they don’t have a lot of work on their blog, you may want to ask to see a sample of a whole session. I put almost every session up on my blog as long as I have the client’s permission. Part of why I do this is for visibility and advertising, but another reason is that I want happy clients! I want you to see not only my very best work, but ALL of my work so that the photos I give you will meet (or hopefully exceed!) the expectations that you have for me. I think it’s important for you to be able to see how I shoot on sunny days as well as cloudy days and how I pose a wide variety of families.
Avoid taking photos earlier than five days after your baby’s birth, since your baby will still be adjusting to feeding times. Your newborn session will go smoother if your baby boy or girl is less fidgety and on a consistent feeding schedule. The sleepier your newborn is, the easier it will be to adjust their poses and photograph them without clothes on to capture some of those classic newborn photo ideas you’ve been looking at for inspiration.
The key to posing newborns is to take your time. Really take your time. Posing your newborn takes a few steps. First, get the baby naked and wrap her up tight in a blanket, then hold her close to your chest and rock back and forth to settle her back to sleep. It usually doesn’t take long if she was sleepy to begin with, but be willing to wait a few minutes until she’s fully asleep.
Though newborn photography may seem daunting at first, it’s like any other form of photography in that the more you practice the better you become. Take your time, be patient, and don’t second guess yourself. With the proper planning and research, some creative and personalized props, in addition to careful and safety-first execution, you should come away with at least a few good images on which to build your foundation. For more newborn photography tips and tutorials, please see our Newborn Photography Workshop, a full guide to baby and newborn photography, teaching posing, lighting, planning, and post production for newborn photography.
Paige Walker Photography is a photo studio based in Fort Worth that specializes in newborn and twin newborn portraits. The business also shoots child, maternity, family, and senior portraits. The photo studio has a large variety of props and backgrounds to choose from, and Paige Walker's easy going personality keeps newborns calm. Clients have praised the photographer for her ability to make subjects feel comfortable and her beautiful photos.
Get Down Low – one key to many natural baby shots is to get down on their level. I’ve spent quite a bit of time over the last week or two lying on the floor next to Xavier. It’s something I think we both enjoy anyway but it’s also a great place to use your camera. Getting down low and getting in close (see below) does present some challenges in terms of focal length (I’m using a 24-105 zoom – usually at the widest focal length) but it means you end up with shots that feel like you’ve entered the babies world rather than you’re looking down on it from above.
When I first began doing maternity work I made a pledge. A commitment I swore I’d stand by through thick and thin. I promised myself I’d never take “the maternity picture.” You know the one. Daddy’s arms around mommy’s belly with hands affectionately forming… gag… excuse me… a heart. There’s NOTHING wrong with this photo. AT ALL. Calm your rage oh you who just did this exact shot this afternoon.
I find the family photo part of the day can be quite stressful. People are going everywhere, you’re unaware of the different family dynamics at play and people are in a ‘festive spirit’ (and have often been drinking a few spirits) to the point where it can be quite chaotic. Get the couple to nominate a family member (or one for each side of the family) who can be the ‘director’ of the shoot. They can round everyone up, help get them in the shot and keep things moving so that the couple can get back to the party.
These are by no means "average rates". They are infact extremely high and the above comment referring to being a "new photographer" wanting to know where to price her work frustrates me. Ive been in the biz for over 5 years and charge $90-$125 per hour including digital images & copyright releases. I am in Palm Beach County Florida so by no means in a small town setting where i need to charge less. Please review where you found this to be average costs. I see so many "newbie" so called photogs charging more than I do with years of experience and it is extremely frustrating the # of calls I get to reshoot portraits that my client originally paid more for from someone else & they are completly dissatisfied. Then they say to me "your price just seemed to cheap" without doing proper research people go by claims like your making here and end up getting screwed.
are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.