DO use the best equipment possible. If necessary, rent or borrow a DSLR with great low-light capability, plus a fast f/2.8 zoom—either a 24–70mm, 70–200mm, or both. A reliable shoe-mount flash is also important, with wired or wireless provision for using it off-camera in TTL mode. Power your flash with rechargeable NiMH batteries, not lower-capacity and slow-recycling alkalines. And bring a back-up camera and flash.
Long after the vows have been said and the reception hall has been cleaned up, your wedding photos tell the story of your big day and capture the special moments you cherish. Finding the perfect wedding photographer may seem overwhelming, but once you understand the basics of cost and contracts it's a fairly simple process. We'll break down how you can target a professional wedding photographer who has an aesthetic you love, with a personality you like, at a cost you can afford. On one end of the spectrum, wedding photography may involve simply taking amazing photos of the marriage ceremony or your elopement — in which case costs remain relatively low, from $200 to $400. Or professional wedding photography can capture everything wedding-related, including wedding showers, engagement parties, getting ready, the ceremony, the wedding reception and beyond, meaning you'll pay an national average cost of $3,000-$5,000 or more.
35. Newborn Photography Ideas At Home in the Nursery – Taking a newborn’s pictures in the nursery is such a great idea! Not only do you capture the sweetness of a newborn, but also the personality of the the family in their environment! The new addition will love to see these photos years from now. When you have your photos all complete, make sure you display one. This is one of our favorite newborn displays.
This guy (or girl) is coming to the wedding you are photographing. Make no bones about it Uncle Bob will be there. He/she is an amateur photographer who thinks they know better than the wedding photographer. You need to effectively deal with him/her without being rude and without offending the couple. Be firm but fair. If necessary have a word with the couple. Suggest that you and them get away from the crowd for a while so you can focus on some portraits of just them. At the end of the day let Uncle Bob enjoy taking his/her photos but don’t let it affect the results you are capturing. You’re couple will be much happier if you deal with this on the day and show that you are in charge of the photography. Rather than having loads of photos with Uncle Bob in them.
I am an award-winning, internationally published photographer. My photos have appeared in Dallas Modern Luxury, D Magazine, Time Out New York, La Gazetta dell Sport Rome, and Time Out London. My studio, conveniently located in central Dallas, offers a comfortable environment for creating my one-of-a-kind images using both natural and studio lighting. I also shoot on location in your home or at an attractive outdoor setting of your choice.
Most of the time children are oblivious to any seriousness involved in a wedding day. Just let them do their thing and they will more than likely provide you with comedy gold. They will yawn in the ceremony, pick their noses during the speeches and dance like there is no tomorrow. If the children belong to the couple getting married all the more reason to photograph them. The couple will love these types of shots. Plus they are great blackmail tools for the parents to use when they are older.
You want your images to be in focus. Who wants blurry images? I don’t! You want to have images that are sharp and in focus. These will look great when you blow them up and hang them on your walls. If you are viewing their work on Facebook, go to their website. Facebook can do funky things to images, but you’ll be able to view better quality on their website and/or blog.
Light can either make or break a photo. The best light is natural light and the best natural light comes just after sunrise or just before sunset. Bright midday light will either produce shadows on your baby’s face or cause him to close his eyes or squint – neither result is what we want. If you’re taking photos throughout the day, try moving your baby under the shade of a tree or umbrella. Alternatively, if you’re taking photos indoors, try moving towards a window to utilize the light from outside. Note that you shouldn’t have the light come from behind your baby or you’ll end up with a silhouette. The best way to learn is by experimenting. Try different lighting techniques to discover what works best for you. When you’re indoors and you don’t have the option of using outside light – try taking advantage of nearby lamps. Explore taking photos with your flash turned off to see what results you can accomplish.
The image on the top left is underexposed. Everything is dark and gloomy. The opposite is on the top right. This image is overexposed. You can not see a lot of the detail in dad’s shirt as well as the older sister’s skirt. Their faces are also very bright and will not print well. On the bottom you can view the properly exposed image. You can see the details in their faces, dad’s shirt and the older sister’s skirt.
"I recently did a photo shoot with James and he was great! I contacted him 4 days before I needed to have the photos done and he was responsive within 15 minutes. He is really flexible with times and locations. We went to a few cool locations downtown that I would have never thought of. Very nice young man who knows what he is doing. I would do another photo shoot in the future!"
are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.