Beg, borrow, hire or steal an extra camera for the day – set it up with a different lens. I try to shoot with one wide angle lens (great for candid shots and in tight spaces (particularly before the ceremony in the preparation stage of the day) and one longer lens (it can be handy to have something as large as 200mm if you can get your hands on one – I use a 70-200mm).
"AMAZING! Stop looking and just book with him. Garrett is very professional and genuinely cares about his clients. He has amazing prices and really is willing to work with you. I was hesitant about hiring a professional photographer but I am so glad I did because the photos look amazing. If I ever need a photographer I will definitely be hiring him again."
Like most newborns, baby Maesie snoozed peacefully through her very first photo session, completely oblivious to the fact that she was the star of the show. Her soft, rosy cheeks and dark hair looked so beautiful with the floral headbands. What a little doll! As parents, we’re always a little nervous to see how older siblings will handle the new arrival, but Cole seemed so enamored with his baby sister already, fully ready to take on his new role as protective big brother. I love the photo of the two of them as he kissed the tip of her tiny button nose. He held her gently in his lap so he wouldn’t wake her.
So many maternity sessions are done in studio. I understand the reasons behind this. I’ve been pregnant. 3 times over. I’m not the petite and pretty pregnant. I’m the gal you find wedged between the double doors at The Sizzler. Studio shoots are great because there’s privacy. I can’t argue with that. Particularly if you’re going to do anything in less than a fully clothed state (that’s my PC way of saying naked). But there’s something about being outside. Taking that natural beauty of a woman who’s ready to bring new life into the world and placing her in the majesty of the great outdoors is simply breathtaking.
So if you want to shoot weddings you will have to break your duck somehow or another. But diving in at the deep end is not recommended. If you just got a new DSLR for Christmas chances are someone will know someone who is getting married. That’s just the way to world works for some reason. Before you have got to grips with how to actually use your camera you are thrown into the bear pit. Asked to shoot Auntie Jackie’s daughter’s wedding. And you aren’t prepared. Be honest with yourself about how good you are. It’s also an idea to be honest with the couple. Your best option in this situation is to begin your journey by second shooting for a photographer. This allows you to gain vital experience so that you can enter your first wedding full of confidence and more importantly ability.
These are interesting examples, but I can't think of any client that I've had who would actually purchase the subway shot. What does it say about their family? There isn't congruence in their expressions - that isn't 100% necessary, of course, but in this image it makes me wonder why the photographer chose to present them this way. Middle and bottom sister are just not in to making this image and to me it is very distracting. Now, if it were simply an interesting image, all this is fine - but if we are talking about portraits that mean something to the subjects (who presumably commissioned the work), then I think we need to work harder to engage the people in the shot.
The #1 way to ensure a successful newborn session is to make sure your client knows what to expect and how to best prepare for the session. I send my prep tips a few days before our session to get mommy and daddy prepared. In fact, in our newborn workshop includes the email templates that I send & has a full chapter dedicated to adequate preparation before the session. Many moms choose to feed while I unpack and setup. I have them feed the baby in only a diaper and a loose swaddle blanket so we don’t have to bother the baby with undressing them. I also let them know what I’ll be bringing, the approximate length of the session, to expect messes and frequent feedings, and to warm the house, even though I will be bringing a heater.
PORTRAIT PHOTOS: these are the traditional posed photos, shot in studios or outdoors. They are usually posed and have eye contact with the camera. You can find this kind of pictures if you search for family portraits. When it’s in a studio, you can shoot a single (or a few) photos, but it can be a complete essay as well. It is easily identified because they have scenarios or situations specially set up for the photos (traditional newborn photography is an example).
Anne Geddes is internationally known as a great photographer who specializes in capturing photographs of newborns, babies and young children. She focuses in capturing her photographs on showing the beauty and purity of children who are dressed as flowers, animals, insects or birds. She believes that every child must be loved, nurtured and protected and she tries to show this through her photographs. The stunning work of Anne Geddes has been published in over 80 countries and her books have sold millions of copies. 2 Jake Olson – United States
The beaches are a great location for family photo sessions. Families arrive to get away from the cold winters up north during the holidays. Grandparents who live on the beaches of Fort Myers, Marco Island and Sanibel Island are happy when the grandchildren arrive. I have photographed family photo sessions for over twenty five years in Florida. The beautiful beaches and abundant light in Florida provide for natural portrait photography.
Think about your location and make sure your wardrobe complements the surroundings. For example, at a location in a field with a rustic barn in the background would be perfect for a little girl dressed in a simple, vintage style dress with Hunter wellies, pig tails and carrying a little vintage tin pail full of wildflowers. That same look might be out of place in an urban setting with a graffiti wall in the background. Also, consider how well the colors and patterns in the wardrobes will stand out against the backdrops of your location. A field of bluebonnets might not be complemented by an outfit with a floral pattern or the same blues and greens in it, but would look beautiful with a solid coral colored dress to pop off of the colors of the flowers and grass. Many times I’ll select a location first and then create the wardrobe, accessories and props to fit with the vision I see for the surroundings and session vibe I want to come out of it.