The National Association of Professional Child Photographers (NAPCP) recognizes the accomplishments and creative excellence of its child photographer members. Image competitions reward talent with medallions, priority listing on our directory, press coverage, titles and professional recognition. The distinguished title of Photographer of the Year for NAPCP is the highest award, showcasing outstanding achievement in our International Image Competitions.
Patterns can add visual interest and texture as well as a good dose of personality. Just make sure that either just one person is in a pattern with the rest of the subjects in simple, more solid color pieces or the patterns are subtle and complementary (for instance, a teeny tiny polka dot tie on a little boy next to his sisters bold color blocked pattern can look very complementary).
Eden Bao is a premier maternity photographer, newborn photographer, baby photographer and family photographer. Our studio is based out of Bothell and we serve Seattle and the surrounding areas, including Mill Creek, Everett, Mukilteo, Woodinville, Snohomish County, King County, Skagit County, Pierce County, Bellevue, Kirkland, Edmonds, Lynnwood, Marysville, Lake Stevens, Sammamish, Redmond, Issaquah, Renton, Shoreline and the Pacific North West.
When I was first learning how to use my camera, lighting is what I had the most trouble with. It is so important to learn though. Lighting can make or break a photo. All the other settings can be correct, but a badly lit image will ruin it. When looking at a photographers work, you’ll want to look how their subjects are lit. You want nice even lighting without spots from the sun on a subjects face or front of the body. The image below is back lit. The sun is hitting the back of my son (don’t mind his messy hair!) and rimming him nicely. Notice there are no sun spots on his face or the front of him. The lighting on his face is nice and even. In the second image he was in the same spot, but I moved my position. The sun is now hitting his face. That side of his face is very harsh and the exposure is blown, while the side that is in the shade is correctly exposed. It I had exposed for the sun on his skin, the side in the shadow would have been underexposed. If I moved my position even more the sun would have been completely hitting him on his face. He would have been squinting and the light would not have been pleasing. You also want to avoid dappled light on the subject. Dappled light is when there are clusters of light spots on your subject.
During the couples shoot, it’s a great idea to get some shots of just the Bride on her own. She has probably spent a lot on hair and makeup to look especially beautiful for this big day. Not to mention the dress as well. Shoot a variety of different photos to add variance to your shoot. Brides also really like to see photos of the backs of their dresses so make sure you grab some.
Ok, the children are on vacation, this includes staying up late, watching TV and eating ice cream everyday! A fact, there are more great ice cream parlors on Sanibel Island than there are gas stations! So, of course the children are in a great mood. I try to capture these great moods in different areas of Fort Myers, Marco and Sanibel Islands. Parents will give me an idea of what they want from their family vacation photo session and we then plan the best location and time. On this blog page are pictures I recently created for a family that vacationed on Sanibel Island. Everyone was in a great mood, we created hundreds of images in just an hour or so. I think the parents did the ‘after this, we go for ice cream’ bribe. 🙂

Contracts provide mutually beneficial protection to both you and your photographer. Your photographer should send you a contract once you’ve both decided to move forward. The contract should define studio policies, payment and deliverable schedules, and contingency plans. Read the contract before signing; don’t make any payments until the contract is in place.
Start your location search by asking your clients of their favorite spots or favorite parks. If they do not have any preferences location-wise, take the liberty of suggesting good locations for them and have some example photos to show the advantage of the places you want to take them. If you do not have many places to showcase, broaden your horizon by doing some research on your own. Check out local parks, open spaces, downtown, museums, cool book stores, coffee shops and more. You can also look at photos of other photographers in your area. If a certain location strikes your fancy, contact the photographer with a compliment to their work and ask about the location where they conducted the photo shoot. If you ask nicely, you will most likely get a response.
For Teens and Couple sessions we do some location hopping to 4-5 different spots close in driving proximity to each other. We can often include all three types of locations, but usually at least two of these settings. I LOVE photographing couples/engagements, but I do not shoot weddings, and I understand that some want the same photographer for both.

It seems like every wedding planning blog we look at makes this recommendation but we have absolutely no idea why they are telling couples to do this! The only shot list we need from you is the list of family formal photos you would like (which we will ask for in the questionnaires we send to you) so we can make sure to budget enough time to get your family formals completed and that will help that part of the day run much more smoothly. For the rest of the day we will be watching for important moments. If we are having to check things off a list it is very likely that we will miss something that we otherwise would have been able to capture because we were staring at a piece of paper trying to make sure we “get the shots on the list” instead of paying attention to what is going on at your wedding! We shoot many, many, MANY weddings and understand the flow and key moments of a wedding day and you will get our absolute best work if you let us pay attention to what is happening around us instead of hunting down shots on a list.


are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.
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