Gear can be an expensive investment if you are just starting out in wedding photography. We’d always recommend taking some form of a backup camera body to a wedding just in case. If you can’t afford a second body consider a less expensive model of camera. Or rent one. It might seem like you are taking money off your profits but this could quite literally save you if your main body were to fail on a wedding day.
Get dressed up! And schedule ample time for the shoot. We usually make it the only thing on our schedule for the morning or afternoon, and don’t have anywhere else to rush off to. Often it takes a lot longer than you expect for everyone to get ready, to go and find the perfect spot (we try to figure out where we’ll shoot before the actual day, especially if we have to drive there), take all the shots, and then pack up. And by the end everyone will be a bit tired! So make your shoot a priority for the day, and you’re much more likely to get it done, and enjoy the process.
Tipping a photographer for family portraits is not standard etiquette. A great way to recognize a family photographer who goes above and beyond is to write them a glowing review. You probably found your photographer by reading online reviews, so paying it forward by letting everyone know how much you appreciate their work is a great gift. Write your review after they have delivered the final edited photos on time and you’ve confirmed that you’re happy with the terrific portraits they took.
Some wedding photographers have an office or studio which can double as a retail photography studio. In bigger cities, one might find dedicated wedding photography studios that only cover weddings and may have large studios equipped with make-up, hair, and a selection of gowns ready for the bride to wear. Other wedding photographers may work from a home studio or from a coworking space, preferring to photograph clients on-location. These home based photographers may hire additional photographers to assist them if the wedding program is large or otherwise unmanageable by a single photographer.
Gently unwrap the baby, keeping the blanket on her back, and lay her down on her tummy on your blanket covered pillows or bean bag (use the setup I describe in part 1). Keep her covered with the blanket for right now and give her another minute to get settled. It helps to rub her back and shush softly into her ear. Again, wait until she has settled back into sleep before moving to the next step.
Some brides might ask whether it is ok to do a boudoir shoot of them on the morning of the wedding. This has to be something you feel comfortable doing and ideally something you have practised before. A boudoir shoot typically sees your model or in this case the bride photographed in their underwear. You can find out more about this kind of photography by seeing our post on nude photography which shares many characteristics with boudoir imagery. It also talks about how this type of photography can be used to promote body positivity and increase confidence in the person being photographed. Producing these types of images can also make for a great present for the groom.
Few styles of portrait photography are as tricky as newborn photos — the unpredictable infant is always in charge! The best way to ensure a successful photo shoot is to work with a local newborn photographer within the first two weeks of the baby’s life. Some photographers even work with hospitals to offer newborn sessions within a day of the baby’s birth. But newborn photographers usually recommend scheduling a shoot during the baby’s first two weeks of life, while the baby is still sleepy and relatively cooperative, especially for posed or studio shots. During this time, babies are easier to swaddle in blankets and dress in hats or headbands, and, because they often nap or nurse, can be staged with various props or be cuddled by their parents. For casual photos, most newborn photographers recommend shooting within the first six weeks of a baby’s life. Lifestyle portrait photography is more flexible and doesn’t require the baby to cooperate with multiple poses or props.
Probably not the first thing that springs to mind in the equipment section of our wedding tutorial? Didn’t think so! Some caterers are lovely. However, some will do whatever they can possibly do to get out of giving you any food even if it has been paid for by the couple getting married. It’s always a good idea to have a plan B when it comes to food. Keep some crisps, chocolate, energy drinks or anything edible in your car. A wedding zaps a lot of energy so stay hydrated and full of energy to avoid the dreaded wedding hangover the next day (yes wedding hangovers are real!)
Wonderful article! And congratulations on your 3rd pregnancy! I believe, above all else, emotion is the most important element of beautiful maternity photography. Whatever may or may not be in the background, a beautiful sunset, a window, a bedspread, whatever… the viewer always returns to the subject (consciously or subconsciously) to “confirm” the emotion in the shot. Your photographs all have a strong element of emotion in them. Beautiful work! Cheers, Rob
If you are doing the session in the client’s home, posed newborn sessions require nearly the same amount of prep as a wedding. You need quite a bit of “stuff” and it is easy to forget something so I make sure to pack the night before and use a checklist so I don’t forget anything (I’m a mom with a very limited memory). To make your life a bit easier, I’ve made a print ready checklist you can use which is included in the newborn photography toolkit – one of the FREE limited time bonuses included in our online Newborn Photography Workshop.
I am an award-winning, internationally published photographer. My photos have appeared in Dallas Modern Luxury, D Magazine, Time Out New York, La Gazetta dell Sport Rome, and Time Out London. My studio, conveniently located in central Dallas, offers a comfortable environment for creating my one-of-a-kind images using both natural and studio lighting. I also shoot on location in your home or at an attractive outdoor setting of your choice.
Getting your head around this simple maths problem can save you a lot of anguish on the day. If a couple has allocated 2 hours for photographs, that actually means 1 hour. Weddings are always behind schedule and the smallest of things can upset the rhythm of the day. Wedding co-ordinators will be eager to get the couple in at least 30 mins before they are scheduled to sit down for food. So just bear that in mind when planning your time with the couple.
We thought ahead about location, poses, logistics, and timing. If you have a plan, it is easier to get in and out and end up with photos that you are happy with! Take the photos of the whole family first, then the children together and individually, and then couple photos if desired. You can realistically take great family photos in 30-60 minutes by yourself if you have a plan.
Light can make or break any photograph, portraits are no different. The very derivative of the word photography is “drawing with light”. The biggest thing you want to make sure you do for portraits is get light into your subjects’ eyes. There are many ways to do that and that’s a whole huge topic but there are a few things you can do to set yourself up to start off with good light.
Dave Engledow who is commonly known as the “World’s Best Father” is one of the most creative child photographers in the world. In addition to being a good father, he is a creative photographer who creates funny situations to capture his stunning photographs that differ from other child photographs which we usually see or capture. With the daughter and wife, Dave Engledow presents creative work that can inspire all of those who want to photograph children in a new and unique way. His book “Confessions of the World’s Best Father” can help you to discover more about his photographs with his daughter Alice Bee. 3 Anne Geddes – Australia
We recommend planning your scenes using the website Kuler by Adobe. On there you’ll be able to find complementary and analogous color combinations that work well together. Being able to see the colors together visually prior to going out and looking for the props and backdrops will save you hours. On Kuler we arranged the pink and yellow combination you see in the left image below prior to searching for actual newborn props and accessories.
Set your rates. Consider the amount of time required for each shoot, the cost of your gear, the cost of the prints or CD of images as the end product, and your experience. Avoid pricing your photography sessions too high or too low. A price that is too high will scare away most clients, while setting a price very low makes you seem desperate or unattractive as a photographer.
If you need more inspiration for poses or styling tips, these family photo ideas should help. If you’re taking black and white photos, find inspiration using our guide on how to dress for a black and white photoshoot. Once you get your portraits, share these memories with the ones you love and create a family photo album or a custom home decor piece everyone will adore.
As a wedding is a one-time event, the photographer must be prepared for the unexpected. Covering a wedding is both exhausting and invigorating as the photographer is constantly looking for good angles and opportunities for candid shots. Communication and planning time-lines before the event will alleviate many of the stresses associated with photographing a wedding. The ability to tactfully take charge also helps - particularly when photographing large groups or families - a common expectation after the ceremony. Having a run list with all of the expected shots is also a useful tool. A photographer may work with an assistant who can carry equipment, arrange guests, and assist with clothing adjustments or holding of reflectors.
Here are some basic concepts that will make your choice easier. Of course, there are many styles that don’t fit into these categories, some of which are difficult to categorize and some photographers do more than one style (I do lifestyle and documentary) or a mix of them. But in general terms most of the family photographers in the market will fit (or semi-fit) into at least one of the following categories:
A lot of photographers like the warmth of film. Film has a texture and a quality that just can’t be reproduced in digital format (no matter how hard we try). Also, if someone says they use film, it means they were probably trained in a darkroom and have an understanding of cameras that goes beyond digital, so not only will your photos look different, but the experience of being shot on film will be different than working with a strictly digital shooter.
Remember that your photographer is the pro, so—while it’s helpful—you shouldn’t spend too much time putting together a detailed shot list for them. Instead, pass along your day-of timeline, give them an idea of what images you’d like captured (like a shot with each of your bridesmaids in addition to wedding party portraits) and let them do their thing. This is also the perfect moment to give them a heads up on any familial or friendship intricacies they should be aware of, like divorced parents, a grandmother that needs to remain sitting for portraits or a groomsman and bridesmaid that don’t get along (hey, it happens!). If you’re hoping to get your wedding day published online or in a magazine down the road, be sure to relay that to your photographer. This way, they’ll put extra emphasis on snapping shots of all your amazing details and will likely come armed with gorgeous styling accessories, like ribbons, linens and more, with the goal of helping your wedding aesthetic truly stand out.
It's hard to beat the rich colors of fall. Throw in crisp air that won't mess up your hair or makeup and it's no wonder this temperate season is so popular for engagement photo shoots (not to mention weddings). Since temperatures begin to dip in fall, longer sleeves, layers and knits are a must. If you're taking photos outdoors, try to pick a color palette that works with your surroundings. Rich oranges, reds and browns all work for this season, especially if you're in a region where the leaves change color. Check out our favorite fall engagement photo outfits below.
With everyone home for the holidays, the winter season is one of the most popular times of the year for family photos. There are many aspects of the winter season that are sure to spark outfit ideas. Classic red and green holiday colors and plaid patterns are a few of these style trends that are perfect for your photos. The holiday season is all about the flannels, the furry scarves and the cable knit sweaters. Get ready to bundle up and design a cohesive family style that will make everyone confident in their look. We have plenty of Christmas card photo ideas and christmas card messages to help you showcase your holiday spirit.
Composition: After lighting, the next thing you want to look at in someone’s portfolio is composition (hint: Meg talks about this a lot in sponsored posts, because she went to art school and composition is something that gets drilled into you there). This basically means, how did they set up the photo? Even when photographers are capturing moments as they happen, we’re still looking for interesting ways to tell the story. Take the below photo, for example. It uses the backs of the the bride and her father’s heads to frame the groom’s face as she walks down the aisle. By doing this, not only do your eyes know exactly where to go the moment you look at the photo, but you also get the added storytelling of seeing the groom’s face from the bride’s perspective.
Please, parents… leave the “cheese” at home. Cheese is for crackers. So many times I have found parents who stand behind the photographer and scream, “Say cheese to the lady kids!” Yelling and demanding young children to look at the camera to smile will only stress your children out (not to mention the photographer) and will result in strained, unnatural and often unflattering photographs. Step back, and allow the photographer to naturally interact and talk with your children. This will result in natural, gorgeous smiles. Help the photographer capture the true essence of your child’s personality by talking with and coaxing out those smiles naturally and easily.
As with all photography lighting is key. If you are shooting inside and can’t afford expensive lighting use the most flattering and cheapest form of light there is – sun light! Position your group facing or parallel to a large clean window, if it is a particularly bright day cover it with a thin veil of material, such as a net curtain or peg a white cotton sheet across to act as a diffuser for softer, more flattering light.
"The painting was a gift for my wife for our first wedding anniversary. I wanted to play on the traditional gift of paper and thought canvas and a painting would be a nice modern twist on the traditional gift. The painting depicts our wedding day and turned out to be my wife`s favorite photo from that day. She loved the painting and the way Paul the artist captured everything from that amazing day.
During the couples shoot, it’s a great idea to get some shots of just the Bride on her own. She has probably spent a lot on hair and makeup to look especially beautiful for this big day. Not to mention the dress as well. Shoot a variety of different photos to add variance to your shoot. Brides also really like to see photos of the backs of their dresses so make sure you grab some.
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.