Composition: After lighting, the next thing you want to look at in someone’s portfolio is composition (hint: Meg talks about this a lot in sponsored posts, because she went to art school and composition is something that gets drilled into you there). This basically means, how did they set up the photo? Even when photographers are capturing moments as they happen, we’re still looking for interesting ways to tell the story. Take the below photo, for example. It uses the backs of the the bride and her father’s heads to frame the groom’s face as she walks down the aisle. By doing this, not only do your eyes know exactly where to go the moment you look at the photo, but you also get the added storytelling of seeing the groom’s face from the bride’s perspective.
“Kate let our son have his space but also got him back on track playing, having fun, and following her direction. Her reviews are incredible and every positive thing you read is absolutely true. Not only are the photos beautiful, they’re filled with emotion. Anyone can take a picture of you smiling at the camera but to capture personalities and emotion is a special talent.”
Larger prints require extra care in order to guarantee the best possible print. So for big prints, I would highly recommend that you order larger prints through your online gallery.  If a print is going up on a wall, I want the print to be perfect.  Many big box print labs are cheap, and they differ in paper choice, color accuracy, sharpness, photo brightness, and overall quality.  I work closely with the same professional printing lab partners I use for my fine art landscape prints and together we ensure you get the perfect prints.
We recommend planning your scenes using the website Kuler by Adobe. On there you’ll be able to find complementary and analogous color combinations that work well together. Being able to see the colors together visually prior to going out and looking for the props and backdrops will save you hours. On Kuler we arranged the pink and yellow combination you see in the left image below prior to searching for actual newborn props and accessories.
I also suggest the option of styling the session to my clients. While they can style the shoot according to their own taste, I also recommend getting it done professionally. It is relatively inexpensive and saves a lot of time for the couple. I show portfolios of planners, who stylize events and engagement sessions and put my clients in touch with them.
Choose practical clothing items. This is an important item to keep in mind for every family member but, especially when you are thinking about what to dress your little ones in. If your kids are not comfortable then you’re going to be in for a long photo shoot. Don’t make it more difficult on yourself or your photographer to get the perfect shot. Make sure that everyone is comfortable with their clothing to ensure all smiles.
Wedding package one: $1,000: Includes up to 4 hours of coverage on the wedding day, with most formal photos taken before ceremony, car service (black Mercedes) as needed from ceremony site to the reception, photos of reception highlights (until time runs out), and high-resolution images via digital download. Add-on options: Second (junior) photographer for $200, additional hour of coverage $100 per hour, engagement photo session (one hour and 10 edited pictures) for $200.

A summertime family photo shoot offers beautiful landscapes for your photos and warmer weather. The season reflects a laid back vibe that can be mirrored throughout your family’s outfit selections. Take advantage of light cottons, pretty sheers, denim and slip into your sandals for a casual look. If your family is taking a summer vacation, use this time to take your family portraits. No matter where you may be during summertime, you can take advantage of the following summer color arrangements and styling tips to guide your selections.
Talk to your wedding photographer about how long he or she will need to take the different types of wedding portraits. For the best results, photographers agree that wedding party portraits take about 30 minutes, family portraits take about 30 minutes (if you’re sticking with only photographing close family), and couple portraits take between 45 minutes to an hour. If you’re having a “first look,” all of these can be completed before the ceremony. If you’re not having a “first look,” you can still take separate family portraits, and photos of the bridesmaids and groomsmen before the ceremony, but any portraits with the couple together will be taken during cocktail hour.

The National Association of Professional Child Photographers (NAPCP) recognizes the accomplishments and creative excellence of its child photographer members. Image competitions reward talent with medallions, priority listing on our directory, press coverage, titles and professional recognition. The distinguished title of Photographer of the Year for NAPCP is the highest award, showcasing outstanding achievement in our International Image Competitions.


Ask for referrals and repeat business. If someone is happy with the photographs you took for her, ask her to refer you to her friends. Additionally, try to build repeat business; if you took 6-month portraits for a baby, contact the family 4 or 5 months later and ask whether they would like to book a 1-year portrait session. Your business can snowball through word-of-mouth.[18]
Beg, borrow, hire or steal an extra camera for the day – set it up with a different lens. I try to shoot with one wide angle lens (great for candid shots and in tight spaces (particularly before the ceremony in the preparation stage of the day) and one longer lens (it can be handy to have something as large as 200mm if you can get your hands on one – I use a 70-200mm).
The light meter in your camera is a fool. Actually, they are pretty damn clever but they get tricked by large areas of white and black. For example, the camera will compensate for a large area of the photo being white (the wedding dress). You set your exposure bang in the middle of the light meter and the photo is really dark. That’s because the white dress is tricking your camera. Dialling, in a bit of positive exposure compensation here, can sort this problem out. But don’t go too far and blow the highlights as they are harder to recover in post-production than shadows. What we like to do is just check on the LCD screen and keep monitoring it to achieve an accurate exposure.
Genevieve Howland is a childbirth educator and breastfeeding advocate. She is the bestselling author of The Mama Natural Week-by-Week Guide to Pregnancy and Childbirth and creator of the Mama Natural Birth Course. A mother of three, graduate of the University of Colorado, and YouTuber with over 75,000,000 views, she helps mothers and moms-to-be lead healthier and more natural lives.
Most new wedding photographers skip hiring a “second shooter” to back them up on wedding days.  If you can possibly make it happen financially, it is definitely worth the money to hire another photographer to work with on the wedding day.  The photos will be better, you'll have a second set of gear in case of disaster, and you're extremely unlikely to miss the shot.  (Thanks Gabrielle Walker-Jones)
There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.
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