Family, just kids, or high school seniors. My favorite portrait sessions are capturing family interaction and play at your own home or favorite family spot or taking a high school senior around town to celebrate adulthood. The Custom Portrait Session is a collaboration between my ideas and those that hold special meaning to you. Do you love to go get ice cream as a family? Love to make pancakes together on Saturday mornings? Have a favorite game you play in your yard? I am a “fly on the wall” capturing your family as they are, in a photo journalistic way, not posed. I want you to walk away from this session with a documentation of a slice of your life. I don’t want you to have a “hard time choosing” because I want you to have them all, so this package is all inclusive! For this purpose, I carefully select the best images from our session with a “storytelling album” in mind, and they are all available to you so you don’t have to choose. Images that paint a picture…the story of you. Sorry, no newborn sessions at this time.
This 20 minute mini session will not happen every month. Watch for announcements on Instagram or inquire for the next one. I will select the date and location and will hold firm to the time slots. This shortened session doesn’t lack in beautiful moments captured, just in the variety, and are more posed in nature. Some people worry their kids won’t behave or that won’t be enough time, I PROMISE, it works out! I’ve been doing this time frame for years, and most people are very pleasantly surprised what can be captured in this time frame.
First, I would recommend never hiring someone, even a friend, without looking at their portfolio first. While a portfolio only showcases a photographer’s best work, if their best isn’t very good, you can safely bet they won’t be taking amazing photos of you and your family, and you should think about hiring someone else. Looking at their portfolio will also give you an inclination as to their creative vision and methods.
Dears, I am a long-time passionate about dslr photography and having 2 little kids myself I know how difficult it is to take perfect shots when you need to take care of the baby and at the same time you Re the one behind the camera. I experienced a newborn session in an atelier twice with a photographer lady which I adore and now want to go this way too and give it a try. Was waiting for a girl friend newborn in order to get some training first but after I’ve read this I am going to post a note about searching a newborn model and don’t worey about the whoke thing.
Morning and dusk are the best times to take photos for lighting, but not always the most convenient time. The lighting right before dusk is my absolute favorite! It is warm and beautiful but for children, sometimes it is the hardest time of the day. Morning light is beautiful as well, but sometimes a bit cool, so be prepared to do a little editing. The afternoon light is just too harsh so avoid it is possible. If it is not possible, find shade to take your photos in to diminish the risk of harsh shadows.
Nothing is worse than one photographer trying to conduct two large families for photos. I like to plan a time for the bride's family to be there, and shoot their photos, then I'll have the groom's family come to shoot everyone together, then I ask the bride's family to leave while I shoot the groom's family. Works like a charm. The last thing you want is for people to be standing around waiting on you. (Thanks Michaelle Parsons Mulhollan)
Don't underestimate the importance of liking and bonding with your photographer. Is the photographer excited by your vision when you describe it? When they make suggestions, do they present them in a clear and respectful way, or are they timid? Are their mannerisms off-putting? In order to get the best photos, go with a pro who has a firm grasp of social graces but is bold enough to go out hunting for great images and who, above all, puts you at ease and doesn't irritate you in any way. Remember: They'll be shadowing your every move, and the more comfortable both of you are with the photographer, the better the photos will turn out. Likewise, you don't want the photographer to offend or annoy any guests, but to shoot them in their best light in an unobtrusive way. To get the best photos, your photographer needs to be assertive enough to seek out great moments, cajoling enough to coax relaxed smiles and natural stances from guests, and calm enough to be a positive force. They should ask lots of questions and be a good listener.
As a team of experienced and passionate elopement photographers in NYC, I Heart New York is your first port of call when looking for a portrait, wedding or elopement photographer. The team have all lived in The Big Apple for some time now, and each of us have found this city to be a photographer’s dream – from the urban oasis that is Central Park, through to the yellow taxis that polka dot the city, the Lower East Side grit, City Hall, and of course the best slices of pizza in the world. When it comes to taking stunning destination photos in New York, IHNY knows all the best locations, from the Upper West Side to downtown city hall. Elopement photographers with local insider NYC knowledge provide more than amazing photos – they can show you the all best bits that the city has to offer.
Timing of the shoot is very important. I often give my couples two options. The first option is to photograph very early in the morning, and the second is later in the afternoon. Both times, the light is soft and often diffused, so there is no harsh direct light to deal with. This way, I do not have to worry about finding a shade, which can be problematic in open nature parks. Educate your clients on the importance of choosing the right timing. You are the photographer and you should know best what light works for you.
Quality should be the primary driving factor because no matter how great the deal, you barely have time to do it once, let alone time (or money) to do it over. So what do we mean when we say “quality?” While “style” may influence the overall appearance and presentation of the final gallery, a level of technical expertise should be demonstrated by the photographer. Images should be properly exposed. The highlights and shadows of the images should not be void of any color, to bright or too dark, saturation should not be so intense that that colors will be comprised when they are printed. Subjects should be in focus and images should never be be pixelated or posterized when printed. Composition should be intentional and the photographer should be able to capture subjects with flattering light and angles. Images shouldn’t be “saved” by Photoshop actions and should look as good printed at 24×30 as they do online. Typically being able to CONSISTENTLY perform to a level of quality requires significant experience rather than just a hobbyist who can pull out 5-10 great shots out of 100 snapped. One of the best ways a photographer can demonstrate quality and experience is to have a portfolio and a broad representation of full client galleries to show.
Secondly I guess I wanted to remind us all that having a baby is not just a photographic opportunity and that it’s important to put the camera down every now and again. If you’re anything like me you could easily walk around with your camera permanently to your eye and forget to actually enjoy the moment. Don’t just create wonderful images of your baby – create memories with your baby – balance is a great thing!
I’ve said it before and I’ll say it again, I think it’s more important to have the time in your life captured…than making sure it’s captured professionally. I want to cry when I hear that some families have never had an official family photo, and so many moms just don’t get in pictures at all with their families. I’m here to offer some advice on how you can get it done this year–promise me if it hasn’t happened for a while, that it will happen for you this year!
Your magic window for Newborn Photography is within the first 14 days of birth. Newborns are easiest to work with during this time because they are sleeping for most of the day. They are also the most easy to adjust during this time-frame. Consider taking your baby’s photos after his or her umbilical cord has fallen off (which is typically after 5 days or so).
Newborn sessions are often a few hours long, all for a handful of pictures. Patience is key when working with newborns. Much of the time during the session will be spent getting the baby calm, moving to new poses and taking the inevitable break because baby is hungry or has a dirty diaper — or worse, but common, dirtied your prop or backdrop because there was no diaper.
The best photographs are often the ones where everyone is engaged or interacting with each other. Understand that not every picture needs to have everyone looking at the camera and smiling at the same time. If you are engaged as a family and loving on each other, your eyes will be on your family members and your smile with be natural. These are the photographs that you will cherish most because they depict your family connection and your love.
@Leslie yes it is certainly easier to get people at ease outdoors without the studio lights and all the stuff that goes with it that can be intimidating. Try putting on some soft music that's relaxing, or some funky music to get people a bit more relaxed. The best way to get people to pose more easily is to talk to them! It's that simple. Stop focusing on the technical stuff, do that before they get in front of the camera. Then interact and talk to them. Ask them about them, their day, etc. It's also easier to show people how to pose by doing it first in their place, then have them repeat it. Hope that helps.
We love photographing newborn babies, so when a twin photo session happens, it is twice as nice! Twice the snuggles, twice the piggies, and twice the love. It’s absolutely amazing to witness how a child’s personality develops right after birth and in the early days of life. Newborn twins are gifted with such distinctive personalities right away, and we love to capture those little differences. With newborn twins, we also make sure to take individual shots so that Mom and Dad can see all the tiny special details inherent in each baby.
Maxine Evans is a professional newborn, baby and maternity photographer whose work is based in Los Angeles and Ventura Counties. She has over 20 years’ experience in capturing maternity, newborn and baby photographs. Her experience, skills and patience allow her to capture amazing newborn and maternity portraits. Maxine is also a pediatrician and OBGYN approved expert in baby safety which makes her perfect for photographing babies especially the newborns who need more caution while trying different poses.
Bring the Fun, Dads: There is nothing more attractive than an amazing father/husband. I KNOW that your wife probably had to talk you into photos. And, I want you to know, I'm thrilled that you're participating. And, if you're at all affectionate with your loved ones, you've probably already melted my photographer heart. Today isn't about smiling and posing, it's about having a blast. And, I have yet to meet a dad who doesn't know how to break a house rule or two in the name of family fun. At the risk of minimizing your outfit choice, Dads, the most important thing you can wear to picture day is a good attitude. If you've got a signature hat, belt buckle, or something that you really love - let's find a way to include it.
There is plenty of advice on the internet on how to find a wedding photographer. And you know, most of it is actually pretty good. I assure you that is not a thing). But recently in the comments of some of our sponsored posts, it’s become clear that a lot of the advice out there is geared toward people who already have a handle on photography, people who can look at a photo and say, “Yup, that’s a great image.” But there isn’t really a ton of information out there for people who are at a photographic square one.
They’re more important than senior class pictures, get more exposure than a drivers license photo, and serve as a visual debut to the world… The birth announcement photo! If you’re like me, newborn photo announcements are a standard parent operating procedure. I have a huge collection of my friends’ and families’ newborn announcements, most of which are still stuck to my fridge.
[…] One more step to shoot inside, is to really zoom in on your subject. You can get up nice and close physically to your subject or you can put on a lens that allows you to get close without getting in their personal space. By getting close, you eliminate any distractions that might be around the house. Get closer than you normally would – focus on the eyes, or just the face, or little hands and feet. Get all of those little details up close. […]
Three months before: If you plan to submit a shot with your newspaper wedding announcement, check their guidelines for specifics and schedule a picture-taking session at least three months before the wedding. Larger newspapers ask to receive wedding submissions up to six weeks before the event, and you'll want to factor in four to six weeks before that deadline to see your proofs and make prints.
This camera is accomplished with its Creative Auto mode that simplifies instructions for the layman and has several pre-set modes of shooting. Once you get the idea, you can then do everything manually. The learning curve doesn’t exist. All it takes is one quick browse through the manual, or a run through on auto mode. You can pick up all those advanced tactics on the go.
Now is not the time to be starring dreamily into space – make sure you look at the camera (and remind everyone else in the photo to look into the camera too!). Try to get the “looking at the camera” shots out of the way first when everyone has enough attention. It can quickly get tough to get kids to cooperate, so aiming to get this shot first is key.
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.