Take a look at their blog and galleries. Are they consistent in all that I mentioned above: proper exposure, correct white balance, focus, and lighting? Ask for view a full gallery so you can see what type of variety you would get in a session and that all the images are consistent and flow nicely. You want to make sure that ALL of their images are high quality with exposure, white balance, focus and lighting. Below is an example of a full family session gallery. I typically give 25-30 images in a family session. You can see below that there are images of mom, dad, and baby. They are in several different poses. There are images of just baby, mom and baby, and dad and baby.
Purchase equipment frugally. Having quality equipment is important for taking high-quality photos, but you need not invest all of your savings in brand new, high-end equipment before you really start your career. You can buy used equipment in good working condition, purchase older models at a discount after a new model comes out, rent equipment, or even borrow equipment until you are sure that your business will be successful.
“When I proudly tell my couples that I have an iPhone app to tell me when it’s golden hour they often laugh at me, but it can be magical if you catch the right light. Because the weather is so variable in the UK and because I shoot a lot of urban weddings where buildings block the sunset, when I see beautiful golden hour light I can’t help but get a bit excited. If you can schedule at least 15 minutes of your portrait session to happen just before sunset, it will totally be worth it if the weather plays its part.”
An 8hr to 9hr hour timeline is the most ideal from a photographers standpoint.For us, this works best to ensure all the key moments of your wedding day are captured and no special moments are missed. Here is a rough draft and sample of an 8 hour wedding day with the ceremony starting at 5:30 PM. This timeline can be adjusted to your specific needs,but should be a good starting point for you when planning your day.
Think about your location and make sure your wardrobe complements the surroundings. For example, at a location in a field with a rustic barn in the background would be perfect for a little girl dressed in a simple, vintage style dress with Hunter wellies, pig tails and carrying a little vintage tin pail full of wildflowers. That same look might be out of place in an urban setting with a graffiti wall in the background. Also, consider how well the colors and patterns in the wardrobes will stand out against the backdrops of your location. A field of bluebonnets might not be complemented by an outfit with a floral pattern or the same blues and greens in it, but would look beautiful with a solid coral colored dress to pop off of the colors of the flowers and grass. Many times I’ll select a location first and then create the wardrobe, accessories and props to fit with the vision I see for the surroundings and session vibe I want to come out of it.
The absolute beauty of digital photography is that you can shoot and shoot and shoot. It might be tempting to delete images that don’t work right away but just hold fire. There is plenty of time for culling in post-production. You don’t need to add another job on the wedding day. Additionally, you have to think that images can be manipulated in the editing, whether that’s cropping or sharpening slightly. Another point is that your mistakes allow you to see where you went wrong and help you to improve.
I'm a huge fan of “framing” in weddings. Shooting through a crowd and having the only thing in focus be the bride and groom makes the viewers feel like they are a part of the action every time they look at it. Shooting through glass, using architecture to frame, people, nature, etc etc. It gives you a super dreamy and romantic look. (Thanks Mandy Drake)
Nursed Shots – some of the bests shots I’ve taken over the last month have been taken when people have been nursing Xavier. This puts him into a more upright position which makes him look a little more ‘human-like’ and opens up the angles for your photos. Try a number of positions (over the shoulder, sitting him up, laying him back in arms, lying him on his tummy etc) as each one opens up different possibilities. Also remember that your baby is not the only potential subject – parents, grandparents, siblings, friends etc all can add context to the shot and you’ll appreciate having more than just baby by themselves shots later!
Today I’m sharing some tips for posing a newborn baby with a family member. We’ll cover both poses where you can see the family member, and poses that use a family member to support the baby. If you want photos of yourself and your own baby, read this info and then rope someone into taking the pictures for you. For simplicity’s sake I’ve written this post assuming you are the photographer, not the subject, but the same information applies in either situation.
The temptation with digital is to check images as you go and to delete those that don’t work immediately. The problem with this is that you might just be getting rid of some of the more interesting and useable images. Keep in mind that images can be cropped or manipulated later to give you some more arty/abstract looking shots that can add real interest to the end album.
Dads, please cheerfully participate. I know that many dads dread the family photo session, but fathers, please understand how important capturing your family is. These images will be left as a legacy, when your children are grown, with families of their own some day. Family photos are treasured forever and they are so important. Please, please, dads… cheerfully participate in your family photo session. Once you see your happy wife and amazing photographs, you will be so glad that you gave this time to your family.
4. Position your subjects so you can see both their faces. A mom or grandma will probably hold the baby up on her chest, the baby facing in. This can make it hard to see both faces at once in a photo, so ask your subject to stand sideways and gently turn the baby toward you while she turns her head toward you as well. (An over the shoulder pose like the one above works well too.)
Natalie Roberson is a photographic artist specializing in newborn, family, children and wedding photography. Natalie graduated from Southwest Texas State University in December 2001 with a bachelor’s degree in Mass Communications with Minors in Business and Spanish. In May of 2004 Natalie graduated from the University of Phoenix with a Master’s in Business Administration degree. Natalie studied Photography and Graphic Design at Collin College in Plano, Texas.
Few styles of portrait photography are as tricky as newborn photos — the unpredictable infant is always in charge! The best way to ensure a successful photo shoot is to work with a local newborn photographer within the first two weeks of the baby’s life. Some photographers even work with hospitals to offer newborn sessions within a day of the baby’s birth. But newborn photographers usually recommend scheduling a shoot during the baby’s first two weeks of life, while the baby is still sleepy and relatively cooperative, especially for posed or studio shots. During this time, babies are easier to swaddle in blankets and dress in hats or headbands, and, because they often nap or nurse, can be staged with various props or be cuddled by their parents. For casual photos, most newborn photographers recommend shooting within the first six weeks of a baby’s life. Lifestyle portrait photography is more flexible and doesn’t require the baby to cooperate with multiple poses or props.