Jennie Pyfferoen is a maternity and newborn photographer who specializes in capturing photographs of newborns, babies, children, families and pregnant women. Her work is based in Nashville, Tennessee where she has her own studio. Jennie offers her services in Nashville, Brentwood, Fairview, Franklin, Hendersonville, Mount Juliet, Gallatin, Spring Hill, Leipers Fork and she also shoots on location in other surrounding areas.
Hi there fellow San Diegan and fellow Charger fan ;-), I don’t think there’s anything I can say that hasn’t been said already. Wonderful tips and insight especially for newbies like myself. I can’t even call myself a photographer considering I’m still getting to learn my camera. But I will say that after reading your post, it definitely seems more doable and less scary. Not saying that it will be easy. I’m hoping to get together with a photographer and go on a “ride along” so to speak and maybe get some hands on experience before I venture out on my own. I literally came across your post about an hour ago and I’m looking forward to reading and learning more!
@Darlene You have developed a portrait style that works well for you and your clients. If you check out my website, you'll see that we're not all that different... only a matter of degree of "closeness". More power to you if your clients buy 20x30 prints or larger. Mine do not, so having their faces a little more prominent in the frame is important.
One of my biggest mistakes, when I was starting out, was that I brought all my props/wraps/blankets/headbands to every single session. When I got set up, I would have a mini panic attack because I had no idea where I should start. Now I plan 3-4 different setups (based on the client’s preferences and expectations) and that’s all. I am often inspired by something the client owns as well, such as a blanket knitted by Grandma or something else that’s special to mom and dad, so it is not uncommon for me to not even use everything I bring.
So many maternity sessions are done in studio. I understand the reasons behind this. I’ve been pregnant. 3 times over. I’m not the petite and pretty pregnant. I’m the gal you find wedged between the double doors at The Sizzler. Studio shoots are great because there’s privacy. I can’t argue with that. Particularly if you’re going to do anything in less than a fully clothed state (that’s my PC way of saying naked). But there’s something about being outside. Taking that natural beauty of a woman who’s ready to bring new life into the world and placing her in the majesty of the great outdoors is simply breathtaking.
Wow Annie thank you thank you so much for the “what to wear” guide!! I just cant stop reading it! you have made my day and made me see colour marchers in a whole new way! you have covered everything!..(i only wish the places you linked to were available in New Zealand..But im sure i can find beautiful clothes over here 2!:) And the cool examples at the bottom of the page!!! YAY love to see little outfits you have put together im so going to take this post with me the next time i get to the shops!:) You are truly AMAZING in everything you do and thank you again for shearing your Amaziness with the world <3
Chrystal Cienfuegos, owner of Chrystal Cienfuegos Photography, offers a natural & organic style of newborn & portrait photography in Southern California. She is passionate about telling love stories through elegant and timeless imagery that is inspired by the unique beauty of each client. She's a San Diego native and mother of two fun little ladies. Among her favorite things are Chargers football, swimming, impromptu family dance parties, wine (of course), and evening walks with her neighbors.
It can be hard at times to remember that you are at a wedding and NOT a photoshoot. If you make the wedding all about the photos and as behave like you are the most important person the couple won’t thank you for it. Some couples are extroverts and won’t mind but others may be more reserved. Just find some middle ground between them having a good time and you capturing what you need.
#2 – it allows you to get your eye away from the camera so you can actually make eye contact with your subjects. They are very real people and they feel even more uncomfortable staring straight into your lens than they do looking at you. You can make gestures to get kids attention, or make faces. But you’ll get way better expressions by interacting with them than you will looking through the viewfinder. Try it!
This one is a biggie when answering the question of “How do I choose a family photographer.” Are you looking for a cheap, quick and easy process where you only need 1 or 2 good images or do you really value the images that the amount of money you spend is less important? The easiest way to narrow down your list of family photographers is to set a budget. This being said, it’s important to understand that in the photography industry, you get what you pay for. Our pricing is usually based on experience and a professional photographer comes with a professional price tag. Additionally, professionals use price as a way to attract clients who truly value photography. I would rather work with someone willing to communicate and put the time, effort and money into achieving a great set of images then someone who is just bargain hunting. If you’re looking for a cheap and quick photo, consider using a new and budding photographer who is trying to build their portfolio or a set portrait service in a department store studio. If you really do value photography but are low on funds a cheap option is to look for mini-session specials from the photographers you really love. These are usually quick 10-20 minute sessions in a set location that include only a few digital files and photographers of all levels usually do sales on this kind of session at least once a year.
Some wedding photographers work in duo’s and that can be great for relieving some of the pressure of the day. However, if you work alone it can be a great idea to hire a second shooter for the day. You can split up the shots of the day. One can take candid photos of guests whilst the other is working on the formal shots. This can be a great way to increase coverage and especially helpful at a larger wedding.
Take a photo of the bride's ring sitting on the preacher's Bible, a picture of the buttons on the bride's dress, a picture of the cake topper, etc. The bride has spent months preparing every tiny little detail, and she will appreciate photos of each of those things. I usually like to take photos of the details while the reception hall is being set up because the lights are turned on and it's easier to get the shot. (Thanks Kimberly Perry)