Price should be the LAST thing you consider when you select your photographer. Really? What if I come up with a list of photographers I can’t afford? First you have to define “afford.” No doubt custom photography is an investment, and also a luxury expenditure. And everyone has different levels of either saved or disposable income that can be allocated to a session. When defining your budget, determine whether you will save, and then have that set amount to spend or whether you can make that decision once you see your images. Then decide what your product goals are: digital files, a few select prints, a gift album. Understanding what you really need as well as what you want, will help you determine what you can spend with a particular photographer. You may have a budget that will allow you to purchase ALL images from one photographer of mediocre quality or SOME images, but exactly what you need, from an exceptional one. As we’ve said before, try to not get locked into the idea of “all” before you know what “all” looks like. You may even be able to work with specific photographers to find out when they schedule less expensive options such as studio or seasonal mini-session events as many photographers offer a scalable way for you to receive their services without the truly significant investment. It’s with hesitation and a sigh that we say that with most budget photographers, “you get with you pay for.” In a few rare, and very fortunate circumstances, you receive outstanding images for a fraction of what they are worth. But more often than not, if you aren’t investing in someone who has invested in the quality, expertise, style and vision, you will receive images that reflect just that. That said, there are tremendously talented photographers in every market segment, catering to any budget, and with research and patience and maybe a referral, you can find one that meets your specific needs. Circling back to the point that you barely have time to do it once, once you’ve finished the end to end coordination of schedules, wardrobes, weather and moods… you most certainly don’t have the time, or money, to do it over. Start with planning your own session goals, including what you would like to DO with your images, then consider the style and vision you would like them to reflect. Spend some time looking at portfolios and gathering recommendations, and assess as best you can, the quality and expertise of a range of photographers, and once you’ve created a short list, begin to think about pricing and budget and the best way to marry what you need with what you can afford. And if you have a gut feeling that you are cutting corners in any of those orders, take a step back. It’s okay to put an idea on hold until you are really sure about it. It’s your investment, make the most of it.
The conclusion: if all of this seems like a ton of information to digest, then keep it simple and look for two criteria: Do you like the photos and do they make you feel happy? Not a super visual person? Then it’s totally fine to ignore the first question and move onto the second: Do you like the photographer and do they make you feel happy? More important than lighting, composition, or any fancy technology, those are the power rules to live by.
Assuming that you are setting something up, choosing the time of day and the location carefully, you have control of all the elements. Meaning, once you get set up the exposure should not need to change. But if you put it in Aperture or Shutter priority, depending in the metering mode selected, the camera could choose a slightly different exposure for each frame. You do NOT want that! Consistency is very important.
More than any other complaint I hear from brides is that the photographer missed getting a certain photo (such as the bride with her high school roommate, her little sister in the pink dress, etc). The best way to avoid this is to simply meet with the bride before the wedding and have her create a shoot list. You can even bring some sample photos (perhaps on an iPad?) to the meeting and have her select a few poses she really wants. Write down the bride's shot list and mark each one off on wedding day. I usually end up with about 15 “must have” shots.
Some photographers work only on location; others work only in studio with backdrops. Think about the setting you prefer, as well as your timing constraints. Do you have extended family visiting for a limited time who will be part of your portrait session? If so, even if you prefer outdoor photography, you may still need a photographer who also has a studio so that you have a rain plan.
This one can be really bad and it is super important. Five weeks before your wedding and on the same day of the week as your wedding (i.e. if you are getting married on a Saturday, then look at the Saturday five weeks prior to your wedding), pull up Sigalert (or any other traffic monitoring site) and see what traffic is like on the routes you will be taking at around the times that you are likely to be on them. Do this every week and you might notice that there is consistently more or consistently less traffic on your routes than you had planned. You can save yourself a LOT of stress (and perhaps even prepare appropriate tasty treats and beverages!) by knowing ahead of time if you are probably going to be sitting in traffic for 45 minutes between your getting ready, ceremony, and reception locations.
You’ll spend some time getting each pose ready, so take you time making sure you’ve taken a photograph from every angle that might work. Sometimes doing this can “save” a pose that wasn’t really working. In the photos below I made a few mistakes when posing this baby – first – I didn’t tuck her legs under her, which puts her feet closer to the camera than her head is, and second – her hands are stuck under her chin instead of under her had, making her look very uncomfortable. It makes what could have been a cute picture look kind of awkward. However, I moved closer to her head and zoomed in for the next shot, which turned out much cuter. (Note, see how her hand is in a fist in that second photo? It would have looked better had I gently pulled her fingers out so they were visible.)
Talk to your wedding photographer about how long he or she will need to take the different types of wedding portraits. For the best results, photographers agree that wedding party portraits take about 30 minutes, family portraits take about 30 minutes (if you’re sticking with only photographing close family), and couple portraits take between 45 minutes to an hour. If you’re having a “first look,” all of these can be completed before the ceremony. If you’re not having a “first look,” you can still take separate family portraits, and photos of the bridesmaids and groomsmen before the ceremony, but any portraits with the couple together will be taken during cocktail hour.
Last tip is to no take yourself so seriously. Create a few really whacky shots at the end of the session (or even in the middle if the energy seems to be fading). Tell them to do a group squish and really get them to squish. Often they will start laughing and as they pull apart you grab the shot. Do a pile on down in the grass. Ask them to jump in the air or make goofy faces (you make one too). It breaks the tension and lightens up the mood.
Whether you have a friend’s recommendation or not, I’d say to have a look on the Internet. Find the photographer you’ve been recommended and see if it’s what you’re looking for. Look for other photographers of the same style and see which one you like best, which makes your eyes shine or what emotions their photos evoque you. The more specific you are in your search, the better. Photographers who appear in Google’s search gain a point of trust as they need to have a serious job to be there. It is very important that you trust the professional, and consulting the reviews of Google or Facebook can already give you an idea of what customers think. But a talk with the photographer himself will probably give you a better idea of what to expect.
If an engagement session isn't included in your wedding photo package, hire an à la carte photographer instead. For a basic portrait sitting at a photography studio and a couple prints, you can expect to pay a few hundred dollars. Hiring a professional for an afternoon's worth of photo ops will cost several times that much—the final cost will depend on where you live and the popularity of the photographer.
There are a wide variety of albums and manufacturers available, and photographers may provide traditional matted albums, digitally designed "coffee table" albums, contemporary flush mount albums, hardbound books, scrapbook style albums, or a combination of any of the above. Albums may be included as part of a pre-purchased package, or they may be added as an after-wedding purchase. Not all photographers provide albums; some may prefer to provide prints and/or files and let clients make their own albums.
Nope. Makeup artists and hair stylists are infamously bad about keeping schedules (but we love them anyways and they do awesome work!) It is not really their fault since most of the time they can’t schedule a consultation and meet up with every single person whose hair and makeup they are doing before they give you a time estimate, so they really can’t be certain of what all they are going to have to do on the day of your wedding (we have even seen makeup artists unexpectedly have to cover up groomsmens’ black eyes from sports accidents on the morning of the wedding!). They will also be a little slower on your actual day than they were at your hair/makeup trial because they are working their hardest to make you look the best you can and they really want to get it just right, which is awesome! Regardless of whether it is their fault or not, they can’t send people out without them being done and if the hair and makeup professionals are running late, it is usually photo time that gets cut to make up for it. Instead of relying solely on their estimates, give yourself a little bit of a buffer (approximately 5-10 minutes more per person being done than what your professionals are asking for), just to be safe.
Few styles of portrait photography are as tricky as newborn photos — the unpredictable infant is always in charge! The best way to ensure a successful photo shoot is to work with a local newborn photographer within the first two weeks of the baby’s life. Some photographers even work with hospitals to offer newborn sessions within a day of the baby’s birth. But newborn photographers usually recommend scheduling a shoot during the baby’s first two weeks of life, while the baby is still sleepy and relatively cooperative, especially for posed or studio shots. During this time, babies are easier to swaddle in blankets and dress in hats or headbands, and, because they often nap or nurse, can be staged with various props or be cuddled by their parents. For casual photos, most newborn photographers recommend shooting within the first six weeks of a baby’s life. Lifestyle portrait photography is more flexible and doesn’t require the baby to cooperate with multiple poses or props.
Tressavent Photography is a full-time photographer based in Dallas focusing on lifestyle and philanthropic photography. They are devoted to creating stories through artfully taken photographs of newborns, children, teens, graduating seniors, families, couples, as well as expectant mothers. Clients praise head photographer Tressa Thomas for her professionalism, personable nature, and remarkable skills.
When scheduling the session the earlier the better. Newborns much younger tend to do very well in the studio, oppose to a baby that is 10-14 days old. They tend not to wake up frequently and as easily when getting them posed for the scene. A mere 48 hours in a newborns life is very crucial when prepping them for their session. I have witness many, many times after the 10 day mark, newborns have discovered the art of stretching! Once that happens…they won’t let us curl them up in the cute little newborn poses, without a fight!
35. Newborn Photography Ideas At Home in the Nursery – Taking a newborn’s pictures in the nursery is such a great idea! Not only do you capture the sweetness of a newborn, but also the personality of the the family in their environment! The new addition will love to see these photos years from now. When you have your photos all complete, make sure you display one. This is one of our favorite newborn displays.
Once you have your first look and bride and groom portrait session, the rest of the family can join in on the fun. During this time, the rest of the wedding party will come in to take formal wedding photos with the bride and the groom. Make sure that everyone in the wedding party and immediate family is there on time so that no time is not wasted scrambling to get everyone together. Groomsmen should have their buttoners pinned and Bridesmaids should have their bouquets in hand. If there are children in the wedding party, they should be ready as well.
Label, label, label. Remember to permanently label images with the names, dates, locations and relationships you’ve discovered. If you’re the keeper of the family photos, do this now so your children aren’t left to do it all themselves.If you’ve already scanned your photos to a digital format, remember that it’s just as important to include full notations on digital images as it is on hard-copy images, or all your efforts and expense will be for naught when they’re viewed by people without knowledge of your family’s history.From sleuthing to sharing, there are many ways to enjoy historical images.With a little time and creativity now, your photographs can be treasured for generations to come.