I don’t mind them most of the time – I think they show your baby as he or she is and there’s nothing wrong with that. However at times they can be a little distracting and for those special shots that you might like to give as gifts you might like to do a little photoshop retouching. Most post processing editing tools will have some sort of airbrush or retouching tool – learn to use it, even if it’s just to smooth over the main marks and you’ll be amazed by the results.
You obviously have no idea what it takes to be a professional and make a profit. You are giving away everything for such a low price, I doubt you own a studio or nice equipment. And you have the nerve to be upset with people who might have done the math to charge what is actually profitable (something you know nothing about). I highly doubt anyone came to you because some more expensive photographer did a botch job, sounds like a lie to me.
If you have a dSLR and any lenses with wide aperture capabilities (like a 28-70 2.8 or even a 50 1.8) I’d recommend using one of those lenses and keeping your aperture open fairly wide, around 2.8. That will help to blur the background and make the photographs look a little more professional. If not, don’t sweat it – turning off your flash will force your camera to use the widest aperture it’s got (using the portrait setting will also help here). Your camera may have a harder time keeping the shutter speed high if it’s not very bright in your house, so consider using a tripod if you have one. Better equipment sometimes makes for better photos, but knowing how to use what you have is really more important. If you have a few months before your baby is born, spend a little time getting to know your camera. If you don’t have time to practice, following my tips will still help you improve your photos.
If you are photographing a couple from a different culture or religion to yourself don’t be afraid to ask. Or at least do a little bit of research on some of the traditions involved. For example, a Jewish ceremony is vastly different to a Christian wedding. Sometimes they are also in different languages so it’s a good idea to know what will be happening and when.
Yep, it's true… and it has been true for over 150 years. If you want the dress to stay white instead of a dull gray, then you'll probably need to dial in some positive exposure compensation. The light meter in your camera will see the white dress and think it's bright, but it isn't bright–it's just white! The camera tends to compensate for this large “bright” spot in the photo and makes the exposure of the dress too dark. Positive exposure compensation fixes this problem in a jiffy (Thanks Jess Joey)
Light can make or break any photograph, portraits are no different. The very derivative of the word photography is “drawing with light”. The biggest thing you want to make sure you do for portraits is get light into your subjects’ eyes. There are many ways to do that and that’s a whole huge topic but there are a few things you can do to set yourself up to start off with good light.
Pro tip: "Finding the perfect family pose for maternity pictures will vary on the age of your other child or children," photographer Amado says. "Most of the time I work with toddlers and you have to find activities to keep them entertained on the belly. The best family pose on these occasions is the sincere joy and happiness of having big brother or sister interacting with the belly. Something as simple as touching your belly while the family looks on will likely become one of your favorite memories."
Before joining the team at A Practical Wedding, Maddie was a sought after wedding photographer and an entertainment industry dropout with stints at the Academy Award-winning independent film house Focus Features, The Montel Williams Show, and Rosie O’Donnell’s documentary production company. She’s been with the APW team going on eight years, and now spends a significant amount of time thinking about internet trends and the future of feminist television. A Maine native, she lives on a pony farm in the Bay Area with her husband and their toddler.
Inconsistent exposures create more work in post processing, as you have to even them all out. It also can cause a slight color shift, increase noise (if underexposed) and other undesirable things. To keep your exposures consistent through the whole shoot, use Manual Mode. Just remember that each time you change the pose, location, etc, you need to check exposure again. I just fire off a quick test shot, review the histogram, adjust if necessary and continue.
…and think outside the box. Scarves, hats, flowers in the hair for girls, jewelry, sweaters, vests, jackets, etc. – all these things can take a ho-hum image and make it feel “complete.” Don’t let the accessories overwhelm the subject or the photos though. I believe that especially with sweet babies and toddlers that they don’t need much in the way of “accessories.” Little kiddos are beautiful in their simple purity, and I want them to be the star of the show instead of making one’s eye go straight to a giant headband as big as their head as they sit awkwardly in a big bucket. I want the viewer to notice my subject and their personality first. The accessories and clothing should just complement them – not be center stage. Choose your accent colors and fill in outfits with those punches of color in accessories. For instance, if big sister’s patterned dress has tones of aqua, coral and gray, have mom wear a coral headband and little brother in an aqua pair of Converse and bow tie. Show off the kids’ and your unique personality with accessories!