MOST AMAZING PHOTOGRAPHER YOU COULD EVER HIRE. I WAS LUCKY ENOUGH TO MEET JESSICA WHEN I WAS PREGNANT WITH MY TWINS SEVERAL YEARS AGO. DURING THE LAST 4 YEARS SHE HAS PHOTOGRAPHED MY GIRLS ON MANY OCCASIONS AND WE EVEN GOT TO HAVE HER IN THE OR CAPTURING ONCE IN A LIFETIME PHOTOS OF OUR NEW BABIES BIRTH. SHE TAKES SO MUCH TIME, PASSION, DEDICATION, LOVE AND SO MUCH MORE INTO EVERY PHOTO SHE CAPTURES. HIRING HER WOULD BE THE BEST MEMORIES YOU COULD GIVE YOUR FAMILY!
By having someone else take your photos you’re going to be able to be in a lot more of the shots, and you’ll get a lot more variety. You’ll also be able to focus more on having fun with your family – taking your own photos is definitely a bit of a juggling act! A pro behind the camera can catch a lot more of the special moments that come when you’re simply interacting with your loved ones, instead of worrying about whether your remote is working.
The photographs captured NOW will be the story starters for the future. As your photographer, my job is to document your family exactly as you are… in all of the candid, crazy and fun moments that truly capture the personality of each family member, and all of you as a whole. Just as important? That you can use your time in front of my camera to disappear from the daily stress and distractions of life, have fun and simply “be” the incredible family that you are.
These are the main reasons why I offer engagement sessions in all of my wedding packages. Other reasons for including such sessions into your packages could be giving an opportunity for your couples to use the photos in their “Save the Date” invitations and also to print and showcase their favorite pictures during their wedding. From a marketing standpoint, both of these can be very useful for your business, as they provide great opportunities for free marketing and advertising.
Not the first thing you would think of when reading a blog post about wedding photography tips? But comfy shoes and socks can be a lifesaver for a wedding photographer. (Maybe not quite lifesavers) Listen! you’re going to be walking, running, jumping A LOT during a wedding day. Get some comfy shoes. Bring a spare pair just in case the first get wet. There’s also nothing quite like putting a new pair of socks on so bring some of them as well!
I knew I loved shooting weddings but the pressure was a little overwhelming, as anything that you’re new to can be. I also spent hours and hours watching tutorials and learning my equipment. You need to be really familiar with all of the worst case scenarios that you can possibly run into and find solutions for them before you shoot a wedding. Some of those situations are going to be discovered after you gain a little experience, however. When I felt completely defeated after my first wedding, I went searching for a good list that would help me get through the wedding day and came up dry every time. So, in an attempt to help anyone that’s new to this out, here is my list of shots that I don’t leave the wedding without.
6. A spotter. Anytime you are photographing a baby, you really need another person as a spotter. The other person’s only job is to make sure the baby doesn’t roll off the cushions onto the floor. If you are photographing a newborn it’s extremely unlikely they’ll be strong enough to roll anywhere, especially once they are nestled inside the boppy pillow or bean bag, but you can never be too safe. So make sure your “assistant” sits on the floor within arms length of the baby.
*Don’t Make It A Big Deal *“I shoot my children not just during the holidays, but almost daily,” says Bing Liem, who lives in Ridgefield, CT. “It lets me document their lives and physical development, plus gets them comfortable with having a camera around.” At the same time, Liem learns more about photography in a risk-free environment with willing models. (Above Photo) Shallow focus helps hold viewers’ attention exactly where you want it.Bing Liem
Newborns aren't the only subject we love to photograph... we love to capture all of the milestones of family life. Using a photojournalistic style approach to photography, we capture your baby learning to stand, your 5-year old riding his bike with no training wheels, and your teenager's last photograph before she becomes an adult. Go to our Bella Life section to view samples of these important family moments.
As photographers we want every photo to be a masterpiece – perfect light, natural expressions, everyone looking at the camera. But sometimes the best photos that you wind up taking are the most ridiculous — a boy with his hand up his nose, a brother embracing his crying sister, or one sibling looking at the other with a crazy face. Don’t stop shooting just because the kids aren’t cooperating for a moment, or the parents are chasing them around. Sometimes these situations can lend to the funniest and most memorable shots.
There are a lot of different ways a photographer can set up their business. They may charge a sitting fee (or a session fee), which includes the photographer’s time and talent, but no files or products. Or, they may offer the session and all the digital files for one, all-inclusive price. Some even offer several packages with different combinations of products and/or files. One is not better than another, you just have to make sure you’re happy with what they’re offering, and have a clear understanding of what to expect.
“After people have a big traditional wedding, I hear so many of them say that they are so glad it's over. This is not the feeling we wanted to have after our wedding. We wanted the most amazing and memorable experience possible—we wanted something fun, unique and special. We want to look back and wish we could do it a million times over. We wanted more than what a traditional wedding could offer us.“
Most of my clients opt out of the above and go with adding their own personal touches to the engagement session. This is also a perfectly distracting maneuver. Often times, clients feel awkward in front of the camera and don’t know what to do. Accessorizing the shoot and adding some props will shift their attention from you to the objects around them. If the props hold sentimental value to your clients, it will be better for you.
Some couples want every aspect of their wedding day photographed, from early-morning gown and tux shots in the dressing rooms to the last guests snacking at the midnight food truck. If the photographer has to travel between multiple locations, such as the getting-ready location, the bridal party limo ride to the wedding site, the ceremony site and the reception hall, costs can be greater. Multiple destinations don't always mean a higher price range though, especially if you've purchased a wedding package that covers the full day.
This one can be really bad and it is super important. Five weeks before your wedding and on the same day of the week as your wedding (i.e. if you are getting married on a Saturday, then look at the Saturday five weeks prior to your wedding), pull up Sigalert (or any other traffic monitoring site) and see what traffic is like on the routes you will be taking at around the times that you are likely to be on them. Do this every week and you might notice that there is consistently more or consistently less traffic on your routes than you had planned. You can save yourself a LOT of stress (and perhaps even prepare appropriate tasty treats and beverages!) by knowing ahead of time if you are probably going to be sitting in traffic for 45 minutes between your getting ready, ceremony, and reception locations.
Talk to your wedding photographer about how long he or she will need to take the different types of wedding portraits. For the best results, photographers agree that wedding party portraits take about 30 minutes, family portraits take about 30 minutes (if you’re sticking with only photographing close family), and couple portraits take between 45 minutes to an hour. If you’re having a “first look,” all of these can be completed before the ceremony. If you’re not having a “first look,” you can still take separate family portraits, and photos of the bridesmaids and groomsmen before the ceremony, but any portraits with the couple together will be taken during cocktail hour.
Thank you so much for this post! I too am trying to “learn” newborn photography, just did a shoot of my friend’s 10 month old daughter (they turned out beautiful!), but the little one month boy was another story! I am shooting another one month old little girl tomorrow, hopefully I will learn from my mistakes I made today! I am doing the pictures for free to learn, but this is so hard! I wish I knew what I was doing wrong, or do I just need to practice? Any tips would be greatly appreciated! Oh, I was raised in San Diego, my whole family is there, will be visiting for Christmas this year. Will be there for 2 weeks to pack up my mom and move her! Maybe I can get in on a photo session??? Hopefully I will have it figured out by then!
These are interesting examples, but I can't think of any client that I've had who would actually purchase the subway shot. What does it say about their family? There isn't congruence in their expressions - that isn't 100% necessary, of course, but in this image it makes me wonder why the photographer chose to present them this way. Middle and bottom sister are just not in to making this image and to me it is very distracting. Now, if it were simply an interesting image, all this is fine - but if we are talking about portraits that mean something to the subjects (who presumably commissioned the work), then I think we need to work harder to engage the people in the shot.
Let the photographer connect with the baby. In order for your baby to feel comfortable, you should avoid crowding your little one. It’ll be tempting to run over whenever your baby becomes restless or cries, but you should do your best to let the photographer comfort the baby so the baby doesn’t feel startled by too many changes. Always remain in the room though during your baby’s shoot.
There’s something intriguing about poring over old photographs. Whether the photos are black and whites from the Old Country or yellow-stained images from the halcyon days of our own youth, looking at them is like peeking through a window at another world. But if you’ve inherited boxes and boxes of old photos, whether you’re a family history buff or just trying to get organized, you may find yourself asking, “Who are these people?” Well, here are some tips to help you research, share and preserve those dusty old prints.