*Keep Lighting Soft*Direct flash almost never works—it often fights the sense of intimacy, warmth, and naturalness that characterize the best family portraits. “I avoid direct flash like the plague,” says Sue Barr. “It will flatten an image and drain it of all spontaneity.”To work without flash, you’ll want the fastest lens you can afford. This allows you to shoot in low light, defocus (and thereby declutter) backgrounds, and use fast, kid-freezing shutter speeds.Another lighting tip: avoid direct sun. “I like shooting on cloudy days,” says Barr, “and I use gold or silver reflectors to add spark.” The latter helps lighten the shadows of wrinkles, making it helpful with older family members. Family portraiture is rewarding because it gives you the chance to celebrate something that’s life affirming and positive. As amateur photographer Jeremy Rule (www.fiickr.com/ photos/JeremyRule) of North Bend, WA—whose portrait of an extended family above —says, “Family portraits rarely focus on disease, divorce, fighting, business, addiction, or a recession. When you hand a family a portrait, you’re giving them something to celebrate, bond, and rally around.”Jeremy Rule
Love is Love Photography is a photography studio located in Dallas, Texas that serves the areas of Keller, Grapevine, Dallas, Fort Worth, and beyond. This studio specializes in candid family portraits. Clients pay $350 to secure their reservation. With Love is Love Photography, no image two images are the same; they take each photo with a unique stylistic approach.
Krista is natural light portrait, senior, and wedding photographer in Northwest Arkansas. A lover of golden fields, buttery backlight, and authentic emotion, she strives to transform the mundane into the magical by showcasing amazing light and interaction in her photography. She is a devoted wife and mother of a spirited daughter, who also serves as her muse. Krista loves spicy Mexican food, reality TV, the ocean, and connecting with nature. She is the author of Transforming the Mundane Into Magical.
I knew I loved shooting weddings but the pressure was a little overwhelming, as anything that you’re new to can be. I also spent hours and hours watching tutorials and learning my equipment. You need to be really familiar with all of the worst case scenarios that you can possibly run into and find solutions for them before you shoot a wedding. Some of those situations are going to be discovered after you gain a little experience, however. When I felt completely defeated after my first wedding, I went searching for a good list that would help me get through the wedding day and came up dry every time. So, in an attempt to help anyone that’s new to this out, here is my list of shots that I don’t leave the wedding without.
Ashley, I loved your post. I am huge on annual family photos. I think it’s so important to capture a nice photo of your growing/changing family at least once a year! I love how your pictures turned out. They are very nice and the same style I like to go for. I am getting into photography and would like to do our own someday. Thanks for all the tips. I completely agree with all of them and try to do them already but seeing it written down helps to instill those ideas even more for our next shoot.
Assuming that you are setting something up, choosing the time of day and the location carefully, you have control of all the elements. Meaning, once you get set up the exposure should not need to change. But if you put it in Aperture or Shutter priority, depending in the metering mode selected, the camera could choose a slightly different exposure for each frame. You do NOT want that! Consistency is very important.
DON'T try to do it alone. Need help aiming that off-camera flash? Enlist the help of friends or relatives. "It's nice to have someone help organize your equipment," says Scott. This is especially true if you're working in an environment where someone might walk off with an unwatched camera bag. While you're shooting group portraits, an assistant can gather (and tidy up) the next group.
As you start looking through photographers’ portfolios, pay attention to the lighting quality in the pictures. Are they dark and moody? Bright and romantic? Each photographer has a certain style, and there will most likely be one that you mesh with better than others. You may also notice while you’re looking through portfolios that some photographers refer to themselves “natural light photographers” which just means that they only use whatever light is available, rather than using a flash or other lighting setups. If you are getting married somewhere dark without a lot of windows, you will want to make sure that the photographer knows how to create light when it isn’t there. Every lighting situation is different for photographers, so make sure you’re looking at photos that have similar characteristics to your venue. An outdoor wedding in the middle of the day with bright sun requires a very different skill than a New Year’s Eve reception in a dark church. (Also, a hot tip: ask to see some reception shots, since many of us don’t include those in our portfolios. Because if you are having an art gallery reception with no light, you want to make sure we can handle it. If all the reception photos are a little blurry and have been converted to black and white, then low-light situations are probably not that photographer’s forte. If you see lots of backlighting and what appears to be bursts of light behind the dancing, it means that that photographer has the ability to create standalone lighting in situations where the light is nonexistent.)
Instant viewing of your photo session is made available with a custom online slide show posted to the Bella Baby website (protected with a unique password), thus enabling distant friends and family members the opportunity to share the experience. Online viewing and ordering is offered for two weeks to anyone you choose to share your password; immediate in-hospital purchasing is also available.
If there are small children or babies involved make sure to get their attention. It even helps to have an assistant, tell them to bring Grandma along or a friend to help out. But what always happens is you get the kids all looking and smiling, and what are the parents doing? Looking at the kids! Oops again! I always tell the parents, “no matter what keep looking at me as I make a total fool of myself, do NOT look at your child”.
Being as I am just started out I figured it might be a good idea to get my feet wet in those editing programs before I take the big leap into Photoshop and pay it’s ungodly price!! (lol) anyhow, if you can think of a better site where I might get a little more practice editing pictures please let me know. And please let me know your honest opinion of the aforementioned websites.
Each Additional Grouping – $25 Turn your family portrait session into a complete pictorial session if you have separate groups to photograph. For example, include one group of the whole family, another group of just the grandparents, others with each adult child’s family, and maybe one with just the grandkids. Construct as many groupings as you like.
Katie Lamb Photography is a photography studio based in Fort Worth, Texas. All sessions are conducted within the areas of Southlake, Keller, or Grapevine; travel outside of these areas is limited and depends on availability. This studio specializes in family, couple, mommy + me, and boudoir photography. Katie Lamb Photography also creates custom films that are 1.5 to 2 minutes in length.
Any other props or accessories you think you might like to use (hats, headbands, etc.) You want everything ready to go before you start taking photos. Remember, though, that you don’t need lots of props. I think newborn photos look best with fewer accessories and props and more focus on the baby herself. I’ll talk more about this in Part 2: Posing for a DIY newborn photos.
Family photos are quite possibly one of the most important possessions a family can own. The portraits Lisa creates for you during your photo session will be prized family heirlooms. Your children and their children will be able to look back upon these pictures fondly over the years and as their families grow from one generation to the next. When choosing a family photographer in Las Vegas, you want someone who is personable and comfortable to work with, has an extensive knowledge of lighting and posing, and is professional from beginning to end. You will get that and more with LJHolloway Photography. You will want to come back to her year after year to document your family is they grow and change.
Thanks for bringing to my attention the importance of leaving plenty of time to get ready before a family photo shoot. It’s been many years since our last family picture, so I want to have another one taken soon. I imagine that trying to get ready last minute would only lead to stress and unhappy parents and kids, so I’ll make sure to give us lots of time beforehand.
Create a contract. Before you agree to go into any photo shoot with someone, make sure that you have a business contract that they must sign. This should include everything that their money is paying for and the things you are and are not liable for. For example, make it clear if you hold liability for photos that are accidentally and irrevocably deleted, or if after signing the contract it is no longer a problem of yours.
If you have a dSLR and any lenses with wide aperture capabilities (like a 28-70 2.8 or even a 50 1.8) I’d recommend using one of those lenses and keeping your aperture open fairly wide, around 2.8. That will help to blur the background and make the photographs look a little more professional. If not, don’t sweat it – turning off your flash will force your camera to use the widest aperture it’s got (using the portrait setting will also help here). Your camera may have a harder time keeping the shutter speed high if it’s not very bright in your house, so consider using a tripod if you have one. Better equipment sometimes makes for better photos, but knowing how to use what you have is really more important. If you have a few months before your baby is born, spend a little time getting to know your camera. If you don’t have time to practice, following my tips will still help you improve your photos.
At Life Cycle Images Photography you can find Nicole Druce who is a maternity photographer and specializes in family, maternity, newborn, baby and child photography. Nicole’s work is based in Australia where she lives and she is available to serve different areas in her country such as North Sydney, Western Sydney and all Sydney. Nicole is not just a photographer as she runs newborn and maternity workshops for all students around the world. Nicole has won several awards such as Silver Award Winner 2014 | Australian Institute of Professional Photography and International Award Winner Best Maternity Photographer | 2011.
Like most newborns, baby Maesie snoozed peacefully through her very first photo session, completely oblivious to the fact that she was the star of the show. Her soft, rosy cheeks and dark hair looked so beautiful with the floral headbands. What a little doll! As parents, we’re always a little nervous to see how older siblings will handle the new arrival, but Cole seemed so enamored with his baby sister already, fully ready to take on his new role as protective big brother. I love the photo of the two of them as he kissed the tip of her tiny button nose. He held her gently in his lap so he wouldn’t wake her.
Timing of the shoot is very important. I often give my couples two options. The first option is to photograph very early in the morning, and the second is later in the afternoon. Both times, the light is soft and often diffused, so there is no harsh direct light to deal with. This way, I do not have to worry about finding a shade, which can be problematic in open nature parks. Educate your clients on the importance of choosing the right timing. You are the photographer and you should know best what light works for you.
It's funny, but I have seen “Uncle Bob” ruin more wedding photos than you could possibly believe. What I mean by this is that there will (almost) always be someone in the wedding party who likes to get in the way. They either tell people how to pose while you're trying to get everyone in the right spot, or they step in front of you to take pictures, etc. The wedding photographer must be CONFIDENT and take charge. Simply saying something like “Thanks for your help. I'm trying to do something a little different here. Is it all right with you if I go ahead and get the posing set up here?” It might seem forward, but your couple will be glad to see you moving quickly and getting the photos done correctly. (Thanks Julie Gallagher)
…and think outside the box. Scarves, hats, flowers in the hair for girls, jewelry, sweaters, vests, jackets, etc. – all these things can take a ho-hum image and make it feel “complete.” Don’t let the accessories overwhelm the subject or the photos though. I believe that especially with sweet babies and toddlers that they don’t need much in the way of “accessories.” Little kiddos are beautiful in their simple purity, and I want them to be the star of the show instead of making one’s eye go straight to a giant headband as big as their head as they sit awkwardly in a big bucket. I want the viewer to notice my subject and their personality first. The accessories and clothing should just complement them – not be center stage. Choose your accent colors and fill in outfits with those punches of color in accessories. For instance, if big sister’s patterned dress has tones of aqua, coral and gray, have mom wear a coral headband and little brother in an aqua pair of Converse and bow tie. Show off the kids’ and your unique personality with accessories!