You don’t need to tell the couple to kiss slowly during the ceremony, whatever happens, happens. But when you are taking formal photos of the couple ask them to slow their kissing down a little. This way you can grab some lovely intimate shots. They don’t need to eat each others faces off. But encouraging them to hold the kiss for a few seconds will yield great results.
One thing I learned when I became a parent, was that the baby is the boss regardless of how much control I pretend I have.  The same is true for newborn photography.  If the baby doesn’t want to go to sleep for posing after you’ve tried everything, take some lifestyle shots & keep shooting.  Swaddle tight and try to get some eye contact.  Get images of mommy rocking the baby, be open and flexible – the session doesn’t always go as planned and that might just be the best thing that happens to you.
Wonderful article! And congratulations on your 3rd pregnancy! I believe, above all else, emotion is the most important element of beautiful maternity photography. Whatever may or may not be in the background, a beautiful sunset, a window, a bedspread, whatever… the viewer always returns to the subject (consciously or subconsciously) to “confirm” the emotion in the shot. Your photographs all have a strong element of emotion in them. Beautiful work! Cheers, Rob
Hey Jessica! Without knowing what camera body you have right now it is sort of a guess…but I’d look into the Nikon 60mm macro. Brand new (newest versions) are around $500 which is about 1/2 of the 105 macro…you can find used for even cheaper. If you aren’t using a full frame camera I’d actually RECOMMEND that 60mm length over the 105 anyway 😉 The class allows you, the viewer, to tag along on a professional shoot in which you will certainly see and hear Chrystal work throughout the shoot, including when she is getting the close details vs other shots/poses. Give it a shot!! I think it’ll be perfect for you.
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Contracts provide mutually beneficial protection to both you and your photographer. Your photographer should send you a contract once you’ve both decided to move forward. The contract should define studio policies, payment and deliverable schedules, and contingency plans. Read the contract before signing; don’t make any payments until the contract is in place.
She advises against using a Speedlight mounted on the camera. While this may be her preference, and often for good reason, it really depends on your location's light. I tend to shoot in open shade under a large tree where it can get pretty dark. Shadows under the eyes, nose and chin can be eliminated with a slight flash fill. In post processing, I'll using Lightroom's dodge tool to add more light to faces, if necessary. Even a half-stop boost will make your subjects stand out.

Laura Babb of Babb Photo is an award-winning photographer. She is based between Bath and London but photographs weddings all over the UK and abroad. Her approach is documentary but at the same time playful and profoundly real. She loves to shoot creatively in an attempt to make each shoot truly unique. Laura’s top wedding photography tips are all about light and this one stood out to us from her article ‘The Importance of Light and Planning Your Photography Around It’ she says –


Posed/studio sessions – Typically must be done within the first 2 weeks of birth when the baby is very sleepy and “mold-able”.  The focus in this type of session is on shots of the baby looking perfect, usually in blankets, wraps, hats, & headbands.  The session can last up to 4 hours with feeding, potty breaks, and posing.  Editing this type of session also takes quite a bit of time as each image needs to go through Photoshop individually to get a polished end result.
Don’t stop me now. I’m having such a good time. I’m having a ballll. Ooops got a bit carried away there. Seriously a wedding is fast paced so you need to work at the speed of light. This mainly comes with the experience of knowing what will happen and when. Following this sort of wedding photography tutorial will certainly help to know exactly what to expect.

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…and think outside the box. Scarves, hats, flowers in the hair for girls, jewelry, sweaters, vests, jackets, etc. – all these things can take a ho-hum image and make it feel “complete.” Don’t let the accessories overwhelm the subject or the photos though. I believe that especially with sweet babies and toddlers that they don’t need much in the way of “accessories.” Little kiddos are beautiful in their simple purity, and I want them to be the star of the show instead of making one’s eye go straight to a giant headband as big as their head as they sit awkwardly in a big bucket. I want the viewer to notice my subject and their personality first. The accessories and clothing should just complement them – not be center stage. Choose your accent colors and fill in outfits with those punches of color in accessories. For instance, if big sister’s patterned dress has tones of aqua, coral and gray, have mom wear a coral headband and little brother in an aqua pair of Converse and bow tie. Show off the kids’ and your unique personality with accessories!
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