Choose coordinating colors, not matching. Knowing what colors to wear for family photos can be tricky. Start off with colors that coordinate well. You can accomplish a cohesive look without every family member wearing the exact same outfit. In fact, that can seem overly-matching. By selecting a color scheme and using hues that complement each other, you can achieve a more natural look across the board. Pick two main colors and then add softer tones to accent and complete your color scheme.
Imagine there is a line drawn from each face to the next. Try and position them so that no head is directly on top of, or beside (same level) another. Make diagonal lines not totem poles. Use props to seat some people or bring some small folding stools. Have some people sit down, or stand up on something. Use what is naturally in the environment to pose them, or if you have nothing available just arrange them so the heights are staggered.
6. A spotter. Anytime you are photographing a baby, you really need another person as a spotter. The other person’s only job is to make sure the baby doesn’t roll off the cushions onto the floor. If you are photographing a newborn it’s extremely unlikely they’ll be strong enough to roll anywhere, especially once they are nestled inside the boppy pillow or bean bag, but you can never be too safe. So make sure your “assistant” sits on the floor within arms length of the baby.
Around your world in a day: Create a meaningful backdrop for your engagement photos by revisiting nearby sites that are significant to the two of you: the restaurant where you had your first date, the ice cream shop you frequent on Sundays, the bus stop where you shared an umbrella—you get the idea. While the camera's snapping, retell your best couple stories and relive a few of the moments that brought you together—it's a perfect recipe for a series of romantic, fun candids.
I am crazy passionate about my career and love to evolve my photography and continually learn. I’m obsessed with beautiful, dreamy light and have been known to chase it, lol! I am also very passionate about this age group of girls (and guys) and I feel pretty lucky that I get to focus on you and get to know you. They way I look at it….I have a small window of time and opportunity in your life, and I have the ability to bring out the best, real you, and photograph that. I say “I photograph confidence” It is SO fun to guide you through this process, the styling tips, make up and hair, molding you in to flattering poses for your body, then showing you on the back of the camera how it’s going…..ahhh I LOVE it! In that small window of time, if I could have some influence in your confidence and seeing yourself in a wonderful way, well that’s just awesome!
Wedding package three: $2,600: Includes up to 8 hours of wedding photography and all the services of wedding package two; one hour of private portraits after the ceremony; up to 30 edited images for printing; and two 16x20 canvas gallery wrapped prints. Add-on options: Second (intermediate level) photographer for $300; two-hour, two-location engagement photo shoot with 15 edited pictures for $400; photo booth at reception with digital download for $300; and first family Christmas card photo shoot session for $300.
Most of the time when I meet with potential clients, they say the same thing. They don’t want their parents’ wedding photos. They want natural, unposed documentation of their wedding from someone who isn’t going to interrupt the natural flow of the day. The good news is, many (and I’d argue most) wedding photographers have already moved towards this kind of wedding photography. With the exception of a few photographers who have built a reputation on the fact that they will pose and move you during the events of the day to create perfect images (and please do ask photographers about this. There is nothing worse than being poked and prodded and posed all day if what you really wanted was someone to hang back and blend in with the scenery), a good majority of photographers are going to capture your wedding as it happens. But if most wedding photographers are approaching their work from a similar logistical standpoint, well, the end results couldn’t be more different. So how do you know what makes a good photo? What should you be looking for when you look at a photographer’s portfolio?
Search online. A great way to search for wedding photographers is to look online. There will be a very large number of people advertising their services, so think about how you can focus your search more closely and narrow down the results. Look for people with plenty of experience and lots of information about themselves and the photography they produce. You should also look to see if they work with an assistant or solo.
Timing for the session depends on two things : location and time of year. If you're wanting to shoot in Manhattan, Brooklyn, or downtown Philly, we may need to adjust our start time because of the buildings. What do I mean by that? In the city, the sun goes behind the buildings before it goes below the horizon, so you lose the light in the city before the sun has actually set. Generally as a rule of thumb, I recommend starting engagement sessions in the warmer months around 4:00pm, and around 3:00pm in the winter.
…hoping to inspire your clients in their choices of clothing and accessories, make sure that the work you are displaying portrays the kind of look that meshes with your style. Offer to help select clothing and even go the extra step to assist in shopping for new pieces or outfits. Many times I’ll arrive at a client’s home and they’ll have put together several options for looks for the kids or family, and then I can assist in making the final decisions. Another quick option is to just have them email you a few quick iPhone shots of the outfits they are considering so you can lend a little guidance. And feel free to point them to this post for pointers and examples!