Whether you are having timeless family heirlooms created, or you are wanting something done of a more private nature, a maternity photographer will give you photos that you'll love. The true beauty that shows through is beyond description. You actually have to see for yourself, and even then it is hard to believe. Even if you had no intention of sharing your maternity photography, you will want these classic beauties to be seen, at least by close friends and relatives. Michael's maternity photography is beautifully taken, lighting is perfect to flatter the silhouette and then the editing process takes the actual finished product to extraordinary heights. You will see your maternity photography and have a whole new appreciation for both the art, and for your body during pregnancy. You will finally see how truly beautiful that you and that pregnancy can be.
6. A spotter. Anytime you are photographing a baby, you really need another person as a spotter. The other person’s only job is to make sure the baby doesn’t roll off the cushions onto the floor. If you are photographing a newborn it’s extremely unlikely they’ll be strong enough to roll anywhere, especially once they are nestled inside the boppy pillow or bean bag, but you can never be too safe. So make sure your “assistant” sits on the floor within arms length of the baby.
Most of the time when I meet with potential clients, they say the same thing. They don’t want their parents’ wedding photos. They want natural, unposed documentation of their wedding from someone who isn’t going to interrupt the natural flow of the day. The good news is, many (and I’d argue most) wedding photographers have already moved towards this kind of wedding photography. With the exception of a few photographers who have built a reputation on the fact that they will pose and move you during the events of the day to create perfect images (and please do ask photographers about this. There is nothing worse than being poked and prodded and posed all day if what you really wanted was someone to hang back and blend in with the scenery), a good majority of photographers are going to capture your wedding as it happens. But if most wedding photographers are approaching their work from a similar logistical standpoint, well, the end results couldn’t be more different. So how do you know what makes a good photo? What should you be looking for when you look at a photographer’s portfolio?
“When shooting a wedding I try to keep my set up really simple. I find that the more toys to play around with takes time away from the thing I am most interested in documenting: the people. Generally, I roll with 2 DSLR bodies, 2 lenses (Canon 50mm f/1.2L/Canon, 24mm f/1.4L) and a Pelican case full of cards in my pocket. I have other gear there on the day just in case but that’s pretty much it.”
Probably not the first thing that springs to mind in the equipment section of our wedding tutorial? Didn’t think so! Some caterers are lovely. However, some will do whatever they can possibly do to get out of giving you any food even if it has been paid for by the couple getting married. It’s always a good idea to have a plan B when it comes to food. Keep some crisps, chocolate, energy drinks or anything edible in your car. A wedding zaps a lot of energy so stay hydrated and full of energy to avoid the dreaded wedding hangover the next day (yes wedding hangovers are real!)
4. Can you really afford them? Not all photographers list their complete pricing (or any pricing at all) on their website. There’s nothing wrong with this, it just means they want to chat with you a bit before they tell you what they charge. You’ll just want to make sure that before you book, you understand what your final cost will be. If their website says “Session fee of $150, prints and digital images sold separately,” you’ll probably want to think about what you want and make sure you know what it will cost before you book. We’ll talk about some of this in greater detail in my next post!
I try and avoid having to add light or dodge in LR when possible. If I'm doing many shots of a group as you mentioned you can't always copy and paste the settings from one to all of them as the heads aren't in exactly the same spots. So you end up having to dodge on every single image and causing yourself a lot more work in post production. That's why if my faces are dark I add a flash (bounced into an umbrella or bounced off a big reflector) off to one side to add light into their eyes. Of the images in the article, NONE of the faces have been dodged.
When it comes to props, I gently discourage them. The point of the engagement session is to create beautiful portraits of you two together, and the addition of props is just a distraction. I know that there are many websites that will encourage you to bring vintage items, huge bunches of balloons, signs to hold, and so forth, but then the entire engagement shoot becomes all about those props and less about you two together. If you have always dreamed of running across the Brooklyn Bridge together holding a huge cluster of balloons, then let's do it….but let's open the session with that and then put the balloons away. Likewise, if you have a Thank You sign or a Save The Date sign, let's shoot those quickly and then tuck them in your bag. I want to create a shoot that fully brings to life your vision for engagement pictures, but I also want to focus on you!
JAALAM IS AN AWARD WINNING, NATIONALLY PUBLISHED PORTRAIT PHOTOGRAPHER. HIS WORK HAS BEEN FEATURED IN NUMEROUS MAGAZINES AND PUBLICATIONS. PREMIERE IS HIS PHOTOGRAPHY STUDIO WHICH WAS ORIGINALLY LOCATED IN COLLEYVILLE, TX. HE NOW SPLITS HIS TIME BETWEEN PANAMA CITY BEACH, FL AND FORT WORTH/ DALLAS, TX WHERE HE CONTINUES TO PHOTOGRAPH HIGH SCHOOL SENIORS, COMMERCIAL PHOTOGRAPHY, PORTRAIT PHOTOGRAPHY AND IS AN IN DEMAND WEDDING PHOTOGRAPHER. AS A PHOTOGRAPHER HIS GREATEST ACCOMPLISHMENT IS HAVING HIS PORTRAITS HANG ON THE WALLS OF CLIENTS ACROSS THE COUNTRY.
Finally, 9 out of 10 times someone will forget that they were supposed to show up early for family photos before the ceremony (or they get caught in traffic or they are busy dealing with the florist or they forgot their boutonniere or their little kids took longer to get dressed than expected… etc.) which typically results in everyone spending time getting everyone together only to discover that someone is missing and then spending more time trying to figure out where that person is and then finally deciding to just do that side of the family’s photos after the ceremony.
There are a lot of different ways a photographer can set up their business. They may charge a sitting fee (or a session fee), which includes the photographer’s time and talent, but no files or products. Or, they may offer the session and all the digital files for one, all-inclusive price. Some even offer several packages with different combinations of products and/or files. One is not better than another, you just have to make sure you’re happy with what they’re offering, and have a clear understanding of what to expect.
@Leslie yes it is certainly easier to get people at ease outdoors without the studio lights and all the stuff that goes with it that can be intimidating. Try putting on some soft music that's relaxing, or some funky music to get people a bit more relaxed. The best way to get people to pose more easily is to talk to them! It's that simple. Stop focusing on the technical stuff, do that before they get in front of the camera. Then interact and talk to them. Ask them about them, their day, etc. It's also easier to show people how to pose by doing it first in their place, then have them repeat it. Hope that helps.
Really this is the go-to shooting mode for wedding photographers. Moments happen so quickly on a wedding day and Continuous Shooting Mode helps you capture them. Take the speeches as an example. This is a great time to capture laughter, tears and overall joy on the faces of the couple, their families and their friends. If you use One Shot you might capture a fantastic laugh but the person is mid-blink. Or the person sitting next to them is picking their nose. However in Continuous Shooting Mode if you hold that shutter down and burst 5-10 images you can capture various different expressions of the same situation.
Today I’m sharing some tips for posing a newborn baby with a family member. We’ll cover both poses where you can see the family member, and poses that use a family member to support the baby. If you want photos of yourself and your own baby, read this info and then rope someone into taking the pictures for you. For simplicity’s sake I’ve written this post assuming you are the photographer, not the subject, but the same information applies in either situation.
Think about your location and make sure your wardrobe complements the surroundings. For example, at a location in a field with a rustic barn in the background would be perfect for a little girl dressed in a simple, vintage style dress with Hunter wellies, pig tails and carrying a little vintage tin pail full of wildflowers. That same look might be out of place in an urban setting with a graffiti wall in the background. Also, consider how well the colors and patterns in the wardrobes will stand out against the backdrops of your location. A field of bluebonnets might not be complemented by an outfit with a floral pattern or the same blues and greens in it, but would look beautiful with a solid coral colored dress to pop off of the colors of the flowers and grass. Many times I’ll select a location first and then create the wardrobe, accessories and props to fit with the vision I see for the surroundings and session vibe I want to come out of it.