Choose practical clothing items. This is an important item to keep in mind for every family member but, especially when you are thinking about what to dress your little ones in. If your kids are not comfortable then you’re going to be in for a long photo shoot. Don’t make it more difficult on yourself or your photographer to get the perfect shot. Make sure that everyone is comfortable with their clothing to ensure all smiles.
I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4. However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2. Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.
It seems like every wedding planning blog we look at makes this recommendation but we have absolutely no idea why they are telling couples to do this! The only shot list we need from you is the list of family formal photos you would like (which we will ask for in the questionnaires we send to you) so we can make sure to budget enough time to get your family formals completed and that will help that part of the day run much more smoothly. For the rest of the day we will be watching for important moments. If we are having to check things off a list it is very likely that we will miss something that we otherwise would have been able to capture because we were staring at a piece of paper trying to make sure we “get the shots on the list” instead of paying attention to what is going on at your wedding! We shoot many, many, MANY weddings and understand the flow and key moments of a wedding day and you will get our absolute best work if you let us pay attention to what is happening around us instead of hunting down shots on a list.
Yep, it's true… and it has been true for over 150 years. If you want the dress to stay white instead of a dull gray, then you'll probably need to dial in some positive exposure compensation. The light meter in your camera will see the white dress and think it's bright, but it isn't bright–it's just white! The camera tends to compensate for this large “bright” spot in the photo and makes the exposure of the dress too dark. Positive exposure compensation fixes this problem in a jiffy (Thanks Jess Joey)
“The passion definitely has to be there. More than that, you have to really want it, especially in the beginning. Go out of your way to do shoots for free. Not just any shoots, but “portfolio worthy” ones. Take control – style it, creative direct it, own it. Admit and learn from your mistakes. And finally, only show your very best work. You will be judged by your worst shot”
When styling a photo session, I like to start out with a basic color palette and go from there. It can help to have one “rock star” in the photos who carries a pattern in their outfit that the rest of the group’s clothing or accessories pulls from, while keeping everyone else’s outfits more simple. You can do this with a neutral and a few colorful brights, or try a softer palette that has different tonal ranges of the same shades.