As tips go this one is pretty simple but something most wedding photographers won’t do. Just have a quick word with the Bridesmaids before the ceremony and tell them to walk slowly and smile. They will thank you for it when they see the photos. Lots of the time Bridesmaid are nervous about walking down the aisle. All eyes are on them. Just remind them that they look great and not to worry as it will be over within seconds.
You are taking family pictures, do, friendliness can be a big deal. The best family photographers know how to cheer up that crabby child, get everyone’s eyes to the camera, and hopefully a smile from all, at the same time, too. So, if your photographer is not used to taking pictures of little kids, grandparents, or groups, be wary. If they are introverted, unprofessional, lazy, tired, or not fully invested in your family photography session, chances are they won’t capture your beautiful family perfectly.
Give your service scope by getting a wide, panorama-style shot of your ceremony while it's unfolding, says Rebecca Yale. "This is an image you’ll never get to see for yourself on the wedding day since you're part of the ceremony and can't see the full scene," she explains. "It's such a fun and unique perspective, especially with all your guests in it."
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You should be able to get amazing newborn and baby photography results with almost any camera and lens if you simply learn the proper lighting, creativity, and camera angles for newborn photography. Though a professional camera like a Canon 5K Mark III, a full frame camera, will give you better overall image quality than an advanced point and shoot camera like a Sony NEX, a camera like the Sony NEX will likely be sufficient for capturing great images of newborns. Below is a quick side-by-side showing images from the two cameras mentioned above with the Canon 5D Mark III image on the left and the Sony NEX image on the right. For more on this, be sure to check out our Newborn Photography Workshop.
This camera is accomplished with its Creative Auto mode that simplifies instructions for the layman and has several pre-set modes of shooting. Once you get the idea, you can then do everything manually. The learning curve doesn’t exist. All it takes is one quick browse through the manual, or a run through on auto mode. You can pick up all those advanced tactics on the go.
Perhaps now you’re wondering why I even bother posing newborns at all if I want them to look natural. A couple of reasons: 1) Newborns have very little control over their limbs, so they tend to flail about. Left to their own devices, their arms and hands can look very contorted. 2) Most newborns burrow their heads into whatever is nearest them, meaning they will generally hide their faces in any blanket or pillow you lay them down on. 3) Newborn’s legs are long and skinny, and they just don’t look good in photographs when they are sticking straight out. Tucking their legs up underneath them makes for a much tidier looker photo.
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For these, my general rule is to start with the largest family/group and then work down to immediate family. You’ll do this for each side of the family. However, I often start with the ministers since oftentimes they have somewhere else to be or aren't in any additional photos. I usually try to light the room with a two-light setup to avoid shadows and create even lighting on the fly.
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Think about your location and make sure your wardrobe complements the surroundings. For example, at a location in a field with a rustic barn in the background would be perfect for a little girl dressed in a simple, vintage style dress with Hunter wellies, pig tails and carrying a little vintage tin pail full of wildflowers. That same look might be out of place in an urban setting with a graffiti wall in the background. Also, consider how well the colors and patterns in the wardrobes will stand out against the backdrops of your location. A field of bluebonnets might not be complemented by an outfit with a floral pattern or the same blues and greens in it, but would look beautiful with a solid coral colored dress to pop off of the colors of the flowers and grass. Many times I’ll select a location first and then create the wardrobe, accessories and props to fit with the vision I see for the surroundings and session vibe I want to come out of it.