We used to photograph both larger weddings and elopements, but these days we are 100% elopement photographers. We want to focus on delivering the absolute best expertise in this niche that we can. From beginning to end, we’re deeply involved in the whole planning process, because your elopement is about a lot more than just epic photos. We want you to have an unforgettable experience that leaves you wishing the day would never end! Having photographed many elopements all over the country, we know exactly what goes into crafting and capturing a perfect elopement experience. We love being tour guides, and we love taking pictures, but our favorite part of being an elopement photographer is hands down the fun times we have romping around these epic landscapes with our new friends.
Your portrait session should be a reflection of your family. Before our session we will have a phone or in person consultation so we can discuss your expectations, ideas, and goals for our session. Preparation and communication are the keys to a successful portrait session, so make sure to share all your ideas and concerns with me during our consultation or on your questionnaire!
I just wanted to say THANK YOU! I am not as experienced in newborn shoots as I am with other types and my latest one just kicked my butt! I’ve been trying to edit a particular image for 2 days. And then… I found your tutorials and it made all the difference in the world. I also really needed to see that you started out shaky with your own kids and how you’d improved. Sometimes, I forget it’s ok that I don’t know everything yet. Thanks again!
despite my wanting it to be, my baby bump never got very big. this photo above was taken only a few weeks before delivering our daughter and everyone always said, “there is no way you are having a baby in a couple weeks!” smaller bumps can be harder to photograph sometimes, but laying down is a great way to show that belly off. plus, laying down just feels plain good when you are in your third trimester. am i right?
You need to give space around them and allow for some composition and negative space otherwise they'll feel crowded. The family all in purples tones feels a bit too cramped for me actually. As for it being about the faces - for me it is and it isn't. If you want a head shot, do that. This is a family "portrait" which means "portrayal" - not what your face looks like. For me showing more of the scene that they chose around them it gives more of a sense of who they are as a family. A portrait for me isn't about what they look like, it should give insight into their personality too.
You should also meet them in person. Some important questions to ask in a face-to-face interview may include: how would they describe their wedding photography style? (i.e. photojournalistic, formal, documentary, or creative); will they be the one photographing your wedding or do they have an assistant?; will both people be taking pictures during the day?; do they have back up plan in case of an emergency?; are you comfortable with their emergency plan?; what wedding photography packages do they have?; do they shoot in color or black & white? You should ask if they have a generic schedule for each wedding (portraits before the ceremony or after), and if they are they flexible and open to suggestions. You should even ask to see a contract.
Start the same way you would for the first pose, with a naked baby in a blanket in your arms. Once he’s sleepy, gently lay him down on his back and remove the blanket. Cross his feet and bend his knees like you see in the photo below and just hold them there with your hand for a few minutes. If he relaxes in that position, you’ll be able to slowly remove your hand and his legs will stay crossed.
Sometimes this can be out of your control. However, you should aim to deliver photos to the standard to which you advertised when the couple booked. If you don’t display heart-shaped group shots on your portfolio the couple shouldn’t expect you to do this. What they should expect to receive is exactly what you have laid out in your contract unless otherwise discussed.
Assuming that you are setting something up, choosing the time of day and the location carefully, you have control of all the elements. Meaning, once you get set up the exposure should not need to change. But if you put it in Aperture or Shutter priority, depending in the metering mode selected, the camera could choose a slightly different exposure for each frame. You do NOT want that! Consistency is very important.
Even if you don’t love the Brides dress, which I’m sure you will! Ask her what particular aspects of the dress she absolutely loves. A dress will always look better on the Bride than it will hanging up. But make sure to pay particular attention to capturing the intricate details. Also ask her if there are any other details she wants special photos of such as broaches, hair pieces, shoes etc. It’s easy to overlook these details but they make for fantastic photos. They can also be great to tell the complete story of the wedding especially if the items have sentimental value to the Bride.
One thing that I’ve done at every wedding that I’ve photographed is attempt to photograph everyone who is in attendance in the one shot. The way I’ve done this is to arrange for a place that I can get up high above everyone straight after the ceremony. This might mean getting tall ladder, using a balcony or even climbing on a roof. The beauty of getting up high is that you get everyone’s face in it and can fit a lot of people in the one shot. The key is to be able to get everyone to the place you want them to stand quickly and to be ready to get the shot without having everyone stand around for too long. I found the best way to get everyone to the spot is to get the bride and groom there and to have a couple of helpers to herd everyone in that direction. Read more on how to take Group Photos.
[…] One more step to shoot inside, is to really zoom in on your subject. You can get up nice and close physically to your subject or you can put on a lens that allows you to get close without getting in their personal space. By getting close, you eliminate any distractions that might be around the house. Get closer than you normally would – focus on the eyes, or just the face, or little hands and feet. Get all of those little details up close. […]
In addition to this tutorial, if you want all the info you need in one simple package with lifetime access, check out our Newborn Photography Workshop for the On-Location Photographer which Cole and I have spent months putting together all the necessary knowledge & tools to be adequately prepared for the lovely world of photographing newborns. On sale for a limited time and all workshop participants also will get Cole’s Essential Newborn Lightroom Collection Presets, the Pricing & Positioning Yourself for Success pricing handbook, exclusive discounts & a whole lot more. Click below to see the workshop details.