Adjusting the composition is an easy way to add more variety. Take a full length shot then take a head and shoulders. Shoot one from directly above and another on their level and maybe another somewhere between those angles. Consider more adjustments than just height too — moving a few feet to the right or left can add some variety and emphasize different aspects of the pose too.
Here’s why: The thing that takes the most time with family formals is gathering everyone together and getting people organized. If you set up your wedding day photography timeline to do the bride and her family and the groom and his family separate before the ceremony and then the bride + groom and both of their families together after the ceremony, then we have to gather families three times instead of just one. Moreover, the difference between the group “Bride + Groom + Bride’s Parents” and the group “Bride + Bride’s Parents” is just saying “Groom, can you step out for a second?” which takes about 3 seconds to quickly re-arrange and will save you time in the end.
“It is no small feat keeping a 3- and 6-year-old happy and engaged, but my kids had so much fun with Miss Kate that they kept asking when our next play date with her would be! From the moment I first contacted her until the day my final photos were ready, Kate was responsive, detail-oriented, full of helpful information, and a pure joy to work with! And the photos? Simply gorgeous. She captured my children’s personalities beautifully.”
Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4. However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2. Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.
That is not to say that we don’t want to know what is important to you! We absolutely DO want to know all about the special details that you have planned for your day and we want to capture those for you. That is why we also ask you to tell us as much detail as you can about any special details, events, and surprises that you are planning for your day in our questionnaires! :)
Choosing the right software for importing and managing your files is several stories on its own. There are tons of choices--free, cheap, or expensive, with variations in how many features they offer from the ultrabasic to the nuclear option. Though basic downloading and drag and drop are available within the operating system, a utility that lets you batch rename is a helpful complement (I use FastStone Photo Resizer for batch renaming). If you use some sort of cloud-based syncing, such as iCloud Photo Stream or the Eye-Fi system, to automatically distribute your photos from the device to a home hard drive or an online sharing service, definitely make it a habit to rename and move the photos on a regular basis. Services like that tend to organize everything by date, either by default or as the only option. That makes sense, because the date is the only piece of information that software can guarantee it will find.
Kimberly Fain Photography is located in old town Burleson. This photography studio specializes in newborn, maternity, and the first year of life sessions. Owner and photographer Kimberly Fain provides many options to display the beautiful images, including prints, mounted prints, gallery wrapped canvases, metals, acrylics, and beautiful heirloom albums. Clients may purchase digital packages, print packages, or à la carte prints as well. Kimberly's clients have left rave reviews for her abilty to create stunning galleries with a welcoming personality, and she is also a member of the Professional Photographers of America.